第一阶段是在塑造男性形象时都具有高大、威猛、强壮，富于力量美；
The first stage is when portrays the masculine image all has big, the overwhelming power, strong, is rich in the strength to be beautiful;
他们很自信，并且热衷于通过言行、衣着塑造自己的男性形象。
They are men with self confidence and a keenness to look, behave and dress like men.
本文从其词中塑造的女性纯情美的具体表现、女性形象纯情美与男性作家词中女性形象的区别及原因分析等方面进行了探讨。
This paper makes an analysis of some specific characters from her poems, the purity in such images, the figures created by male poets, and the contributing factors of the above differences.
在这部小说中，作者采用男性的视角，通过个人化的叙事手法，塑造了一个流浪漂泊者的形象，展现了一个男人个体生命的存在方式。
In this novel, the authors used the male perspective, through personal narratives, shaped the image of a homeless wanderer, a man shows the existence of individual life.
女英雄的形象塑造是在“雄化”、“道德化”和“非家庭化”这些男性修辞策略之下展开的。
The creation of the heroine image was conducted through male, moralization and non-family which are all male rhetoric strategies.
女英雄的形象塑造是在“雄化”、“道德化”和“非家庭化”这些权力话语的男性修辞策略之下展开的。
The creation of the heroine image is conducted through "male", "moralization" and "non-family" which are all male rhetoric strategies.
男性作家总是依据自己的文学想象和价值取向来塑造自己作品中的女性形象，因此，他们笔下的女性形象身上几乎都带有一定的男权色彩。
Male writers always shape the images of women in their works according to their own literary imagination and values, so the images of women are almost with a certain amount of male color.
男性作家对女性形象的塑造，往往从固有的传统观念出发，对女性进行合乎其需求的扭曲。
Moulding to women's image of writer man, often proceed from intrinsic traditional idea, Conform with the distortion of their demands to women .
她以女性特有的视角，塑造了一系列内心懦弱、自私、功利的男性形象，消解了传统意义上的男性“神话”。
She modeled a series of men figures who were with cowardice, selfishness and utility on women's unique angle of view , and eliminated traditional men "mythology".
由于男性导演对于塑造女性形象具有局限性，大众文化时代“复制”的文化特征也使女性形象在表现上偏离了真实的女性。
Male directors'limitation to portray female's images and the character of"replication"in popular culture times all make female's image deviate the actual female indailylives.
诗人塑造出一系列“反英雄”的男性形象和理想化的女性角色，构成其男性-英雄怀疑论。
By created a collection of figures of anti-hero men and idealized women, the poet established his own skepticism toward masculine-hero.
在对人物形象塑造上，承接明清时代小说中男性形象弱化的特点，塑造了一批类型化的、具有女性阴柔美的男性形象。
In characterization, the men carry the image of the Ming and Qing era weakened the characteristics of a number of types of mold, and has a male image of female beauty of gentleness.
在对人物形象塑造上，承接明清时代小说中男性形象弱化的特点，塑造了一批类型化的、具有女性阴柔美的男性形象。
In characterization, the men carry the image of the Ming and Qing era weakened the characteristics of a number of types of mold, and has a male image of female beauty of gentleness.
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