在绘画语言上，更注重画面的形、色、构图、笔触、肌理等绘画因素的综合运用。
It pays more attention to comprehensive use of those painting factors such as figure, color, composition of a picture, brushwork, texture, etc.
绘画语言的融合是有边界的，只有在不失去水彩画自身特质条件下的融合和借鉴才是真正有意义的。
The fusion of painting language has fostered and formed the special quality and aesthetics of Chinese watercolor, thus promoting the maturity and evolution of it.
只有当一种符号式的绘画语言在人们的视觉信息库中占有一席之地的时候，艺术家才有希望走出来。
Only when a symbolized language of painting, which has already taken a place in people's repository of vision and information, had the artist the chance to walk out from neglect.
线条是大家再熟悉不过的了，人们在拿起画笔来描绘对象的时候，首先想到的就是勾勒外形，线条自然就成为了人的第一个绘画语言。
Lines so familiar to everyone, and the people pick up the brush to describe an object, the first thought is the outline shape of the line will naturally become the first painting of human language.
如何提升水性材料绘画语言的力度与表述的精确度，是其在现代语境下拓展语言表达能力的关键。
How promotes the river character material drawing language dynamics and the indication precision, is it develops the language power of expression under the modern linguistic environment the key.
色彩，作为意象创建的绘画语言，在工笔画的创作中占有极其重要的地位。
As a drawing language for imaginary creation, the color is very important in the creation of traditional Chinese realistic painting.
在音乐语言与绘画语言的具体应用表现上，着重从比亚兹莱黑白画中线条构成的“音响”效果及“旋律性”、“节奏性”的表现来进行分析与比较。
About his expression of musical and painting language, this article analyzes and compares the musical quality, tempo and rhythm of Beardsley's black and white paintings.
在培养敏锐的艺术感受力和摸索绘画语言的过程中，写生也起到了至关重要的作用。
During the process of cultivating keen sensitivities of art and of exploring the language of painting art, sketch also plays a very important part.
当代艺术的语境下，丙烯材料在材料绘画的语言表达上，必定有着极其广泛表现空间和丰富的绘画语言。
Contemporary art of language Jing bottom, the acrylic material necessarily has on the language expression of material painting very extensively express space with abundant of painting language.
色彩，在绘画中有着独特的意蕴，是任何绘画语言都无法代替的。
The color, accumulates in having distinctive intention in drawing, be any drawing language have no way to replace.
色彩，在绘画中有着独特的意蕴，是任何绘画语言都无法代替的。
The color, accumulates in having distinctive intention in drawing, be any drawing language have no way to replace.
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