谷崎润一郎是日本唯美主义文学流派的代表作家。
Tanizaki Jun ichirou is the representative writer in Japanese aestheticism movement.
这些作家高举“为艺术而艺术”的旗帜，在中国现代文坛掀起了一股唯美主义文学思潮。
They hold high "it is art but art" flag and raise whiffs of aestheticism literature ideological trend at the Chinese modem literary world.
在比较诗学的理论视野内，探讨了现代中国语境中的唯美主义文学观念与西方文艺思潮的影响接受关系。
This thesis explores the relations between Chinese aestheticism and western literary thoughts in the vision of comparative poetics.
文章在比较诗学的理论视野内，探讨了现代中国语境中的唯美主义文学观念与西方文艺思潮的影响接受关系。
In the perspective of comparative literature, the article analyses the relationship between modern Chinese aestheticism and the western current of thoughts in literature.
追求艺术至上、重视感官享乐的上海唯美主义思潮在20世纪中国文学史上有着重要影响。
Shanghai aestheticism, which pursue artistic supremacy and be attend to sensory pleasure, has an important impact in the 20th Chinese history of literature.
从文化与文学的关系上来看，中国新文学唯美主义审美理想的生成，与江南文化有着内在的关联。
The evolution of the aesthetic ideal of aestheticism in modern Chinese literature is closely related to Jiangnan culture.
中国新文学唯美主义审美理想的生成，与江南文化有着内在的关联。
The evolution of the aesthetic ideal of aestheticism in modem Chinese literature is closely related to Jiangnan culture.
颓废主义、象征主义、唯美主义是19世纪中后期欧洲“世纪末”文学大潮中涌现的三支文学流派。
Symbolism, Decadentism and Aestheticsm were the three schools of literature emerging in the "End of the century" literature tide in Europe, in the 2nd half of the 19th century.
颓废主义、象征主义、唯美主义是19世纪中后期欧洲“世纪末”文学大潮中涌现的三支文学流派。
Symbolism, Decadentism and Aestheticsm were the three schools of literature emerging in the "End of the century" literature tide in Europe, in the 2nd half of the 19th century.
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