由于分类标准不同，不同和声著作对和弦结构的分类方式也不尽相同。
Because of different classifying standards, different works will have different classification modes.
为了更好的达到这一目的，对和弦结构及其应用研究的重要性也就不言而喻了。
To achieve this purpose better, the research and discussion of chord structure also becomes very important. Mr.
本文从和弦结构、调性观念、调式思维三个方面论述了二十世纪和声表现出来的观念与特征。
From structure of chord, tonality concept, and mode of thinking, the article discusses the concepts and characteristics represented by 20th century harmony.
复杂结构是指以不同音程叠置为原则而形成的和弦结构，分为纵合化结构、复合结构、线性结构。
Complicated chord structure refers to those based on the principle of different Interval overlapping, divided into Vertical structure Complex structure Linear structure, etc.
五声性调式和声中有多种不同的和弦结构方式，运用不同的结构方式构成的和弦会有不同的和声效果。
There are many different kinds of chord structures in Pentatonic Mode harmony. The chord with different structures will definitely have different harmony effects.
本文以他的声乐作品为研究对象，从和弦结构、和声进行、调式调性等侧面来分析、研究其和声技法与风格特点。
The article is based on his vocals, analysing and researching their harmonic technique and style from the aspects of the chord structure, the harmonic progression, the mode and tonality etc.
不同的桁架节点形式，分析了桁架腹杆两端与弦杆的连接和弦杆与柱连接形式对结构受力性能的影响。
Different node form, the connection of web to truss chords and connection of truss chords to frame column are discussed.
这首歌的和弦与旋律结构是相当标准的哈里逊风格 - 擅长操弄复杂的乐曲进行方式及曲扭旋律。
The chordal and melodic structure is very representative of Harrison with his use of complicated progressions and twisted melodies.
文章论述了该和弦产生的原因、构成方式、结构形态以及特殊和弦的繁衍方式，描述了这一新和声体系的基本面貌。
The article dissertated the reason to arise this chord, its structure, shapes, and the way of multiplication, showed the general state of this New Harmony system.
本文将针对26首前奏曲，从对其结构形式、旋律特点、节奏、和弦外音等方面的分析入手，来进一步了解前奏曲中和声色彩的丰富性。
This thesis will explain the importance of harmonic in prelude through the analysis the structure, melody characteristics, rhythm, and non-harmonic tone of these 26 preludes.
大多数布鲁斯乐的特点是简单的，通常是三和弦的和弦级进，而在词作和音乐上的简单结构则对于无穷无尽的即兴敞开了大门。 。
Most blues feature simple, usually three-chord, progressions and have simple structures that are open to endless improvisations, both lyrical and musical.
在和声的功能结构方面，从调式、调性思维，和弦的构成原则以及和声的进行方式这四个角度进行分析论证。
I analyse and demonstrate them from four aspects: the mode, the thought of tonality, the composing rules of harmony and the way of harmony.
在和声的功能结构方面，从调式、调性思维，和弦的构成原则以及和声的进行方式这四个角度进行分析论证。
I analyse and demonstrate them from four aspects: the mode, the thought of tonality, the composing rules of harmony and the way of harmony.
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