古典风景画是18世纪许多画家所喜欢用的题材。
Classical landscapes were a popular subject with many 18th century painters.
这幅画几乎不能称之为印象派作品，反倒很像是一副19世纪的古典主义画像。
It could barely be described as an Impressionist work, so closely does it resemble a classic portrait of the 19th century.
在托马斯·艾斯金那著名的书房里，挂着一幅画，一个赤手空拳的青年正在树林里打拳。Boddy女士说，这既可以使人领略到田园诗般的古典美，又能叫人想起马奈的《草地上的午餐》。
Thomas Eakins’s celebrated studies include a photograph of bare-fisted youths fighting in a wood that is said by Ms Boddy to evoke both pastoral classicism and Manet’s “Déjeuner sur l’herbe”.
托姆·布雷最广为人知的是将油画和书法相结合的帆布画，许多都表现出了古典的主题。
Twombly was best known for his canvases that combined painting, drawing and calligraphic texts, many of them reflecting classical themes and motifs.
她也同样精通人像，风景和静物画，但她知道，她美丽的大部分古典静物成分。
She is equally proficient in portrait, landscape and still life, but she is known mostly for her beautiful classical still life compositions.
本文参考文献：1、中国古典山水画美学侧记，2、三谈破体书法，3、中国书画。
This article References: 1, Chinese classical landscape Sidelights, 2, 3 on nicely, 3, Chinese calligraphy and painting.
古典吉他弦钮槽附近可以用一个小的骆驼毛画刷刷虫胶漆。
The string slots of the classical guitar headpiece can be painted with shellac using a small camel-hair painters brush.
山水画及山水画论充当了中国古典园林设计与营造的指导书籍，后来的园林专著有计成的《园冶》等。
Landscape painting and landscape paintings of Chinese classical gardens served as a design and create a guide book, then there is the garden of monographs into the "Yuanye" and so on.
本文具体的研究对象是中国古典园林及园林题材山水画。
This article concrete object of study is the Chinese classical botanical garden and the botanical garden theme landscape painting.
祁海峰的画受多种风格的影响，表现主义、象征主义、超现实主义等，甚至还有古典的和波普的。
Qi Haifeng's painting style is influenced by several artistic trends, such as expressionism, symbolism, surrealism, classicism and even pop art.
在这一点上，当代花鸟画与中国古典园林建筑是有异曲同工之妙的。
In this regard, contemporary flower-and-bird painting and landscape architecture is similar to the.
十九世纪初期，历史画被新古典主义和学院派奉为最正统、最高贵的绘画题材。
In the beginning of the 19th century, historic paintings were regarded by painters of neoclassicism and academism schools as the most orthodox and noblest paintings.
十九世纪初期，历史画被新古典主义和学院派奉为最正统、最高贵的绘画题材。
In the beginning of the 19th century, historic paintings were regarded by painters of neoclassicism and academism schools as the most orthodox and noblest paintings.
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