第二部分以布斯的理论为依据，将叙述方式分为讲述与展示，并具体探讨了其各自的渊源与内涵。
The second part take Booth's theory as the basis, the narrative way will be divided into the narration and the demonstration with discussion about their origin and connotation separately.
它将精神关照与叙述自觉融为一体，通过叙述方式的变化来展示和体认生存所面临的苦难。
It act as and take care of with narrating and combine together consciously, and changes by narrating come and show and realize and survive sufferings that are faced spirit.
文章的最后一部分则是从叙述方式、象征隐喻等方面来展示在“母亲形象”塑造中一些新的变化与探索。
Last, the end of the thesis introduces the new changes and explorations in figuring the images of mother, such as depiction method, symbology, and metaphor.
第四章则利用表示派生关系的互文手法—仿作和戏拟展示《法》与几个十九世纪经典文本及十九世纪常用文体和叙述手法的互文关系。
In the fourth chapter, the pastiche of several classic Victorian texts and the parody of the literary convention, especially the omniscient narrator, is studied.
第四章则利用表示派生关系的互文手法—仿作和戏拟展示《法》与几个十九世纪经典文本及十九世纪常用文体和叙述手法的互文关系。
In the fourth chapter, the pastiche of several classic Victorian texts and the parody of the literary convention, especially the omniscient narrator, is studied.
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