我的直觉是所有‘不要干这个’的信息可能具有反讽的结果。
'My hunch is that having all this "don't do this" information out there may have ironic consequences.'
第六章对两部小说中隐喻、象征以及反讽的分析。
Chapter six is the analysis of metaphors, symbols and irony in the two novels.
反讽的识别与使用具有很强的认知性与语用效力。
The use of irony and mechanism for distinguishing irony from non-irony present a strong cognitive quality and pragmatic effects.
最后笔者对反讽的反思色彩和文化意义作了简要的概括。
Finally I reflect on the irony of the cultural significance of colors and made a brief generalization.
艺术风格的变化主要体现在：从悲壮到反讽的艺术风格；
Shown in the following several aspects mainly: Artistic style from solemn and stirring to irony;
他认为英国人每天都会用反讽的幽默，而美国人用的却不是很多。
He believes that while Brits use irony on a daily basis, the Americans do not see the point of using it so frequently.
对反讽的概念的阐释，应该有符号学、语用学和哲学三个阐释维度。
The concept of irony should have three interpretive dimensions: semeiology dimension, pragmatics dimension and philosophy dimension.
人们必须记住，法国人正是经常这样诟病英国人缺乏反讽的能力地。
It must be remembered that the French regularly accuse the British of just the same lack.
可见，历史的反讽，生活的反讽，存在的反讽是王蒙语言反讽的本源。
It is evident that Wang Meng's ironic language is rooted in the irony of history, of life, and of existence.
多问些问题，是不是来些幽默的，反讽的话语，或者任何能体现才智的话。
Ask more questions and drop in some humor, sarcasm, or any other wit that fits.
本文旨在考察汉语和美语这两种不同语言在言语反讽的使用上呈现的异同。
This dissertation is intended to examine the similarities and differences of the use of verbal irony between two divergent languages: Mandarin Chinese and American English.
介绍了反讽的三种形式：情景反讽，戏剧反讽和言语反讽以及他们的基本特征。
This article introduces three kinds of irony-situational irony, dramatic irony and verbal irony-and their distinct features.
诗人运用总体反讽的语言修辞，观照人生百态和万事万物，引导人们自省与思索。
The perspective of general irony in verse can also lead people to contemplate and criticize themselves.
建造一个非传统的难以置信的“嬉耍”的环境，奢侈的幻想和反讽的艺术以及当代的虚构。
To create a non conventional and incredibly "trifle" environment, the illusion of luxury and the art of ironic and contemporary fiction.
为了更好地说明反讽回应，本文首先对反讽的表征层次和回声式反讽理解作了简单的分析。
For a better explanation of irony response, the paper first makes a brief analysis of irony representation level and echoic irony comprehension.
而且尽管反讽的种种应用通常难于翻译，几个世纪以来，反讽一直是各个民族幽默一大特色。
And though its usages are often difficult to translate, it has been a feature of every nation's humour for centuries.
森林也死了，溪流也完了，街边塑胶的外星人用反讽的眼睛瞪著我们，告欣我们我们上了多大的当。
The Forest are dead, the rivers finished. The plastic alien recycle bins stare at us from the street, telling us how we've been duped.
但目前看上去有点儿反讽的意思：那些没有感受到感冒症状的人可能也没有产生其他人产生的炎症因子。
But right now, it looks like there's a kind of irony here: the people who don't experience symptoms probably aren't making the inflammatory agents that other people are making.
第二章回顾了这篇论文中关键问题的文献综述：关于英语情景喜剧的先前研究和关于反讽的先前研究。
Chapter two reviews the general knowledge of the key issues in the thesis: the previous study on English sitcom and the previous study on irony.
反讽一直是跨学科研究的课题之一，而情景反讽作为反讽的一个重要类型，人们对它的认知研究却较少。
However, people pay little attention to the cognitive aspect of situational irony which is an important type of irony.
女扮男装作为一种戏剧反讽的艺术手法，对拓展戏剧情节、深化作品主题发挥着讽喻奇巧、举足轻重的作用。
This artistic skill of dramatic irony plays an important role in developing the dramatic plot, and deepening the theme.
然而最具反讽的却是我们是一个多元种族的国家，位处东南亚的中心，对于他族的语言文字，我们又了解多少？
The irony is that we do not know much about the language of other ethnic groups even though we are a multi-racial country located at the centre of Southeast Asia.
研究主要致力于探讨反讽的两个方面：实现反讽的语用语言形式及语用策略(又称反讽的语用语言暗示)和反讽的语用功能。
The study is devoted to two aspects of irony: the pragma-linguistic forms and pragmatic strategies in irony realization (or the pragma-linguistic cues for irony), and the pragmatic functions of irony.
根据历时性的方法考察现代文学反讽的演变进程，能够更有效地界定文学反讽的确切内涵，对其进行简明的分类，并具体描述出其基本特征。
The author argues that modern literary irony can be more effectively defined, classified and described if we consider the procedure of its historical development.
《爱玛》是作者在创作高峰期的力作，以其慧诘的对话与反讽的叙述深刻描述了主角爱玛的自我成长过程，也反映了当时典型的英国乡村生活。
The work Emma is a typical novel of Austen published at the peak of her life. It is a sober depiction of the English country life filled with witty conversations and satirical narrations.
他的作品对生活中的荒谬和苦难进行了最全面的反讽。
His works on the absurdity and sufferings of life create the most comprehensive irony.
“我不做道德评判，”他说，“我更倾向于将事物的反讽与暗示混合起来让它们自己去产生反响。”
"I don't make moral judgments," he says. "I prefer to let things reverberate with their own ironies and implications."
“我不做道德评判，”他说，“我更倾向于将事物的反讽与暗示混合起来让它们自己去产生反响。”
"I don't make moral judgments," he says. "I prefer to let things reverberate with their own ironies and implications."
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