卡西尔认为神话不仅在时间上最早出现，而且是所有文化符号形成的源头，因此，艺术也起源于神话。
Cassirer thought the myth not only appeared first, but also is the source of the formation of all cultural symbols, therefore, the art originated from the myth.
卡西尔的符号诗学在他的符号形式哲学基础之上把文学界定为符号形式的创造。
Cassirer's symbol poetics defines literature as creation of symbol form on the basis of his symbolic formal philosophy.
卡西尔文化哲学思想的独特之处是把人定义为一种符号动物，并提出了符号、文化和人三位一体的思想。
The unique of Cassirer's cultural philosophy is that he defined man as one kind of symbolic animal, and put forward that symbol, culture and man are the trinity.
卡西尔的“符号学美学”理论是建立在他的人类文化哲学的体系之上的。
Cassirer's theory of "semiotic aesthetics" is based on his philosophic system of ethnolinguistics.
朗格的艺术符号美学思想有两个主要理论来源，一是怀特海的逻辑符号论，二是卡西尔的人类文化符号论。
Langer's artistic symbolic aesthetic thought had two main theoretical resources, the first one was Whitehead's logical semiotics, and the second one was Cassirer's human cultural semiotics.
全文共分为三章：第一章：概述卡西尔艺术论的哲学基础——人类文化符号哲学。
This paper is divided into three chapters: chapter I: Summarize the philosophic basis of Cassirer's Artistic Theory - the philosophy of human cultural symbols.
德国学者卡西尔的符号论美学理论，作为其独特的符号哲学的一个重要组成部分，对20世纪西方美学产生了广泛而深远的影响。
The theory of symbolic aesthetics, as an important part of Cassirer s symbolic philosophy, possesses a wide and profound influence on western aesthetics in the 20th century .
摘要恩斯特·卡西尔尽管不是一位专门致力于艺术研究的纯美学家，但却在“视觉符号学”方面贡献巨大。
Ernst cassirer is not a pure aesthete who specializes in the art study, but he makes enormous contributions to the "visual semiotics."
摘要恩斯特·卡西尔尽管不是一位专门致力于艺术研究的纯美学家，但却在“视觉符号学”方面贡献巨大。
Ernst cassirer is not a pure aesthete who specializes in the art study, but he makes enormous contributions to the "visual semiotics."
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