他被赞誉为美国最伟大的电影制片人。
超级女人只存在于记者和好莱坞制片人的脑子里。
Superwoman exists only in the minds of journalists and Hollywood producers.
汤马斯缠着年轻的制片兼导演给了他一次面试的机会。
Thomas managed to corner the young producer-director for an interview.
电视制片人似乎对大量制作暴力节目抱着不负责任的无所谓的态度。
Television producers seem irresponsibly insouciant about churning out violence.
该享有盛名的电影制片人猛烈抨击这些说法，称其为“无耻谰言。”
The famed filmmaker slammed the claims as "an outrageous lie."
我的名字叫布兰登·伦纳德，是一名作家、杂志作家、电影制片人和公共演说家。
My name is Brandon Leonard, and I'm an author, magazine writer, filmmaker and public speaker.
对各制片公司如何努力实现差异化的研究，引发了对一个电影公司风格的草率概括。
Examining how each production company tried to differentiate, itself has led to loose characterizations of individual studios' styles.
起初，这些都被定为短篇故事——早期的制片人怀疑观众至多能在一部电影的时间内保持专注。
Originally these were conceived as short stories — early producers doubted the ability of audiences to concentrate for more than the length of a reel.
电视界资深人士、美国全国广播公司的《美国之声》的执行制片人奥黛丽·莫里西一直在寻找能让一个人或一个故事吸引观众的东西。
Television veteran Audrey Morrissey, executive producer of NBC's The Voice, is always looking for what will make a person or story interesting to viewers.
他们的研究结果也指出，电影或电视节目幕后如有女性或有色人种担任重要职位，如导演、制片人或编剧，则更可能会在种族多样性上做得更好。
Their results also indicated films and TV shows with women or people of color in the important jobs behind the scenes—director, producer or writer—tended to have better diversity numbers.
在一个多阶段的生活中，你可以在20岁、40岁或60岁成为一名本科生；在30岁、50岁或70岁成为一名经理；还可以在任何年龄成为一位独立制片人。
In a multi-stage life, you could be an undergraduate at 20, 40, or 60; a manager at 30, 50, or 70; and become an independent producer at any age.
电影制片人常被指责美化有组织的犯罪。
Filmmakers have often been accused of glamorizing organized crime.
独立制片公司把他们的数字电影转为胶片电影。
由于她的政见，所有好莱坞大制片公司都拒绝用她。
She was blacklisted by all the major Hollywood studios because of her political views.
该制片厂吹嘘，它在鼎盛时期拥有的明星比天上的星星还多。
In its heyday, the studio's boast was that it had more stars than there are in heaven.
她也许不再受制片公司制度的控制了，但她对其粉丝还负有责任。
She may no longer be a slave to the studio system, but she still has a duty to her fans.
奥利弗·斯通制片的电影《野棕榈》由达纳·德拉尼、吉姆·贝鲁西和安吉·迪金森联袂主演。
Produced by Oliver Stone, "Wild Palms" costars Dana Delaney, Jim Belushi and Angie Dickinson.
董卿既是主持人又是制片人。
火星被称为红色星球，是作家和电影制片人的最爱。
Known as the Red Planet, Mars is the favourite of writers and filmmakers.
相反，一名全身穿着猴子套装的激进分子拿着赞扬制片人的标语到来，其上面写着：“感谢你没有使用真猿！”
Instead, one activist, dressed in a full-body monkey suit, had arrived with a sign praising the filmmakers: "Thanks for not using real apes!"
1948年，苦苦挣扎的独立电影制片人和放映商终于在他们与大制片厂垄断行为的斗争中取得了胜利。
In 1948, struggling independent movie producers and exhibitors finally triumphed in their battle against the big studios' monopolistic behavior.
有些人将好莱坞的电影制片厂制度比作工厂，而且有一点要记住的是，制片厂的首要任务是赚钱，其次才是艺术。
Some have compared the Hollywood studio system to a factory, and it is useful to remember that studios were out to make money first and art second.
制片厂的负责人意识到，他们不可能用同样的演员阵容，一遍又一遍地制作几乎相同的电影，同时还指望持续的盈利。
Studio heads realized that they couldn't make virtually the same film over and over again with the same cast of stars and still expect to keep turning a profit.
所以最终，电影制片人开始尝试控制音乐人的伴奏，专门规定该使用什么样的音乐和是用快节拍还是慢节拍来进行演奏。
So eventually, film makers tried to get more control over the musical accompaniment of their films, and specify what type of music to use and how fast or slow to play it.
这章考察了好莱坞电影制片厂系统的“黄金时代”，并探讨了美国电影史上这一时期一种特殊的电影制作方式是如何发展起来的。
This chapter examines the "Golden Age" of the Hollywood film studio system and explores how a particular kind of filmmaking developed during this period in US film history.
这是一个合作伙伴，这些资源的联合制片人。
It is a working partner and a coproducer of these resources.
盖拉与彼得·特劳戈特和帕姆·维西一起担任执行制片人。
Gellar served as executive producer alongside Peter Traugott and Pam Veasey.
在无锡电影制片厂调查了一些含银水体中的浮游甲壳动物。
Zooplanktonic Crustacea in some water bodies containing silver in Wuxi Cinefilm Factory was investigated.
北京电影制片厂摄制组下个月去外地拍外景。
The production unit of the Beijing film Studio will leave Beijing for other parts of the country to film the exterior next month.
中央新闻纪录电影制片厂制作了最重要、最具有语言学价值的新闻纪录片。
CCNDFS leads to a lot of most important and philologically valuable documentary films.
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