笔者希望此作品的研究能对中国钢琴音乐作品的创作和演奏给予一定的启示。
It is hoped that the research of this works can offer certain enlightenment for composing and playing Chinese piano musical works.
无论在钢琴音乐创作、钢琴演奏艺术还是在钢琴艺术教育方面，都为世人展示了它的能量。
It provides the great artistic nation with energy inthe piano music creation, piano performance art and the piano art education aspect.
通过对其进行和声方向的研究，可以让我们清晰地了解到他青年时期钢琴音乐的创作特点。
It was characterized by the direction of harmony, you can let us clearly understand that his youth piano music creation features.
本论文根据对作曲家本人的实地采访和搜集到的文字、乐谱资料，对赵晓生钢琴音乐创作进行了系统的阐述。
In this paper, based on the composer's own field interviews and collected by the language, music data, the system described Zhao Xiaosheng piano music creation.
中国钢琴音乐无论是创作、演奏、教学都源于西方，是一个有着特殊的背景和经历的艺术种类。
Chinese piano music, no matter whether in production, performance or teaching, all originates from the west. Therefore, it is a kind of art with specific background and experience.
在我国钢琴音乐创作中占据着重要的位置，在钢琴演奏和教学领域中也具有很高的实用价值。
They occupy the important position in the creation of Chinese Piano Music and have very high practical value in the field of performance and teaching.
中国风格钢琴练习曲创作之于整个中国风格钢琴音乐创作乃至于中国钢琴学派的形成，都有着重要的意义。
The creation of Chinese-style piano etude plays an important role not only in the creation of the whole Chinese-style piano music but also in the formation of Chinese piano school.
在这样的时代环境下，钢琴音乐的创作出现了一些带有浓重抒情气息的新体裁——即兴曲。
In this era of environment, the creation of piano music there are some flavor with a strong lyrical new genre - Impromptu.
这对钢琴音乐艺术的创作、表演、欣赏、研究等方面都有一定的学术意义和价值。
This has the academic meaning and value to the creation performance appreciation research, etc. of the piano music art.
他的钢琴音乐作品在一定程度上可以折射出中国钢琴音乐创作的概貌和主要特色。
His piano works can refract out the general situation and main features of Chinese piano music composition to a certain degree.
这一部分通过对他钢琴作品的分析，从中透见其钢琴音乐创作风格由日本音乐风格向中国民族音乐风格的转变。
Through the analysis of his piano works, in this part, one can see clearly the style transfer of his piano musical creation from the Japanese style to the Chinese national musical style.
赵晓生的钢琴音乐创作因其作曲家和钢琴家的双重身份而具有个性化的创作风格。
Zhao Xiaosheng 's piano music of its composer and pianist with a double identity and personality of the creation.
赵晓生的钢琴音乐创作经历了三个时期反复的理论和实践，逐步形成了个性化的创作风格。
Zhao Xiaosheng piano music creation has gone through three times repeated the theory and practice, and gradually formed a personalized creation style.
为钢琴学习者正确认识斯克里亚宾本人，正确理解他早期钢琴音乐创作方面起到参考和借鉴的作用。
For the piano learners correctly Scriabin, correct understanding of his music creation of an early piano lessons and reference.
本文在第一章中阐述勃拉姆斯晚期钢琴音乐创作轨迹和背景。
This paper described in the first chapter of late Brahms piano music tracks and background.
本文内容主要有三个部分：第一部分阐述德彪西的钢琴音乐创作风格；
The present thesis is composed of three parts. The first part is concerned with Debussy's creative style of his piano works;
在他们钢琴音乐的创作中，融入了对祖国民族和人民的深深眷恋，本民族民间音乐被他们在作品中运用得淋漓尽致。
They created so many famous fantastic music compositions to have won people's respect and they are known as "piano poet" and "the king of piano" respectively.
基于中国钢琴组曲在我国钢琴音乐创作中的特殊地位和重大学术价值，全面系统深入地分析这些作品的曲式结构就成为了一个十分必要的课题。
It is necessary to analyze the structure of these works' musical form systematically because piano suite has special status and significant academic value in Chinese music creation.
他的创作涉及多种体裁，钢琴音乐作品是他全部创作中的一个最主要的组成部分。
His music composition includes a variety of styles, which are treasured by people all over the world and renowned in music history.
中国的钢琴组曲在我国钢琴音乐的创作中占有很大的份量，在钢琴音乐的创作领域有着不可代替的位置。
Chinese piano suite plays a significant role in the field of piano music, and there is no substitute for the position.
本文以二十世纪中国钢琴音乐创作中之改编现象为基本视点。从艺术规律、社会历史状况、社会观念形态和行为结果等诸方面，试图以不同的视角和方式来观察、研究这一现象。
The dissertation is focused on phenomena of arranging in piano composing in China during 20th century, from a different perspective of art discipline, social concept and result of behavior.
李斯特是十九世纪欧洲音乐的杰出代表人物，他的音乐创作数量极多，体裁也很多样化，而其中钢琴音乐占有着重要地位。
Nay he has also did a great achievement in the field of music composing, music conducting and music comments. Liszt was a the crackajack representative of European music in 19~(th) century.
李斯特是十九世纪欧洲音乐的杰出代表人物，他的音乐创作数量极多，体裁也很多样化，而其中钢琴音乐占有着重要地位。
Nay he has also did a great achievement in the field of music composing, music conducting and music comments. Liszt was a the crackajack representative of European music in 19~(th) century.
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