第三章探讨了新写实文学思潮对电影的影响。
Chapter III discusses the affection of New Realism Literature on Film.
她的小说和写实文学刊登在捷克斯洛伐克的杂志上。
Her fiction and nonfiction appears in magazines in Slovakia and the Czech Republic.
他说，作为写实文学已经变得比小说类题材更让人陌生，它已经让一个讽刺作家难以在“人类命运曲线”前保持领先地位。
He says that as nonfiction has gotten stranger than fiction, it's become harder for a satirist to stay ahead of "the curve of human weirdness."
他写诗及商业性的写实文学，并出版了两本书：《后现代魔术：资讯时代魔术艺术》与《魔力语言符号：一个魔术师对语言学的诠释》。
He writes poetry and nonfiction and has published two books: Postmodern Magic: the Art of Magic in the Information age and Magic Power Language Symbol: a Magician's Explanation of Linguistics.
他们的作品既是真实反映现实人生诸层面的写实文学，又是强化了主观理性色彩的心理小说；既有对现实人生的审美观照，又有对人生至境的理性思索和哲理表现。
Their works are not only realistic literary works that reflect all levels of real life but also psychological novels which intensify the subjectively rational knowledge.
他的贡献在于他从文学的源泉、审美理想和创作方法几个方面为写实主义创作理论初步奠定了基础。
From such aspects as the source of literature, aesthetic ideal and artistic technique, his contributions lay the elementary foundation for the artistic theory of realism.
传统写实小说、神秘隐喻小说、“严酷”自然小说和后现代小说代表了当代文学短篇小说的风格流派。
Traditional realistic fiction, mysterious metaphorical fiction, "inclement" nature fiction and post-modernism fiction are representatives of the trend of modern literature short story.
把新写实小说和新生代小说放在同一文学宗谱里探讨，重点剖析二者的异同。
In this paper New Realistic novels and Cenozoic era's novels are probed and analyzed by putting both into the same literary school with more emphasis on its similarities and dissimilarities.
他对个人和命运的强调——通常是悲观的，或者至少是写实的——预告了文学未来之路。
His stress on the individual and fate — often pessimistically, or at least realistically — were harbingers of the future of literature.
尚真写实是张岱文学创作的总体特征。
Advocating truthfulness and realism in writing is the overall characteristic of Zhang Dai's literary works.
其由史书系列性悬想式“写实”而至，却构成了古代叙事文学的一个精彩母题。
It comes from supposing facts of series of history records, and meanwhile it becomes an attractive motif of ancient narrating literature.
最后，笔者总结出写实绘画的终极意义，乃在于表现情绪，而非传统认知的叙事意义，或文学功能。
Finally, I conclude that the ultimate goal of realistic painting is about sentimental expression and it rejects the traditional literary narrative function.
这部动画片，既承袭了捷克经典儿童文学的写实传统，又兼具幽默和抒情的风格，给中国观众也带来不少乐趣。
The cartoon not only follows the realism tradition of children's classic in Czech, but also adopts humor and lyric styles, bringing much fun to Chinese audience.
这部动画片，既承袭了捷克经典儿童文学的写实传统，又兼具幽默和抒情的风格，给中国观众也带来不少乐趣。
The cartoon not only follows the realism tradition of children's classic in Czech, but also adopts humor and lyric styles, bringing much fun to Chinese audience.
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