本文在具象绘画的范围内论述抽象形式因素存在的普遍性和重要性。
This essay is discussing the universality and importance of the existence of the factors of abstract style within the range of representational painting.
二是具象绘画作为视觉艺术的一种，研究其建立在视觉经验基础之上的本体至关重要。
Secondly, the representational painting is as one kind of visual arts, it is very important to study the essence which based on the visual experience.
对具象绘画、写实绘画、抽象绘画、抽象形式因素等论文涉及的主要概念进行了阐述。
And it also explained the major concepts of the representational painting, realistic painting and the factors of abstract style which were touched by the essay.
巴尔·蒂斯被毕加索称为“20世纪最伟大的画家”，是20世纪坚守具象绘画的代表人物。
Balthus was called "the greatest artist in the 20th century" by Picasso. He is the backbone of the painting of concrete.
如毕加索、达利、马格里特、纳兰霍等一大批艺术家的出现，艺术家们在探索具象绘画的重构方面掀起了巨浪。
Such as Picasso, Dali, Magritte, Naranjo large number of artists such as the emergence of artists exploring the reconstruction aspects of figurative painting set off waves.
通常具象绘画是画家通过描绘客观世界来阐述自我与外部世界的关系，传达自我直面外部世界而引起的主观感受。
Generally, a figurative painter paints the objective world to explain his relationship with the outside and convey his subjective feelings about facing the world.
具象绘画若能既不失传统手段的优势，又能将理性及个性相统一而一展其独特的表现手法，那么，将会有更多的具有时代感的作品得到展现。
If concrete painting holds the advantages of both traditional means and its unique expressional skill of rationality and individuality, it will produce more paintings imbued with The Times.
他的绘画风格经历了具象和抽象两个阶段。
His painting went through both representational and abstract periods.
按照一般关于书法与绘画关系的论点，书法是抽象的表现艺术，绘画是具象的再现艺术。
According to general views on their relationship, calligraphy is a kind of abstract expressive art, and painting concrete representative art, however, the same tools marry them.
具象重构绘画是一种新的语言形式，运用具象重构的手法去重新建构起画面中新的结构形式。
Reconstruction of a painting as a new form of language, reconstructed using concrete approach to reconstruct the image from the new structure.
聚焦巴尔蒂斯绘画的两个方面：以具象的创作手法，以少女和风景作为题材，呈现出对画面东方精神的探索。
Focus on Balthus painting two aspects: the creation of the concrete approach to adolescent girls and landscapes as subject matter, showing a picture of the Oriental spirit of exploration.
规模还不大，但两者的抽象和具象的结合，使得她的绘画气势宏伟。
The scale is still not large, but the combination of both abstract and figural makes her painting grand.
绘画艺术的具象性和抽象性相互区别又相互联系，共同构成绘画作品的基本形态，是绘画样式的两个支撑点。
The concreteness and abstraction of drawing arts, both of which connect and vary, make up the basic form of drawing works and the tow supporting points for drawing types.
但因为我学的是插画专业，总觉得在我的绘画中需要有一些具象因素，这样对我来说可能更完整，所以我也不想去刻意抽象。
But because of my Illustration background, I always felt like I needed a figurative element in the paintings. It just felt more complete to me. And I didn't want to force it either.
具象油画中的抽象性绘画元素是其绘画性的主要来源，本文主要论述如何实现具象油画中的抽象意味。
In concrete style oil painting, abstraction factors are very important painterly language. In this essay, I mainly study how to realize the abstract imagination in concrete oil painting.
绘画的知性表达和概念画法，在高等美术教学方式中普遍流行，但从具象表现绘画的角度来看，却阻碍了感性生命的表达。
Although they are very popular in class in universities, painting's understanding expression and conceptual drawing have blocked the expression of perceptual life.
即写实性绘画和抽象性绘画，但写实绘画总是具象性与抽象性并存。
Namely practical drawing and abstractness drawing, but realistic painting always embodiment and abstractness coexisting.
具体地阐述具象写实绘画与摄影照片在制作、功能、本质特点上的区别与联系。
To tell the differences of realistic painting and photography in production, function and characteristics.
其中得出的结论是具象写实绘画是客观化的，具象重构绘画是主观化的。
One conclusion is that figurative painting is a realistic and objective-oriented, concrete reconstruction of the painting is subjective.
艺术家结合雕塑和绘画的元素，用彩色石膏创造具象雕塑。完成后的形体呈现光的效果。
Combining elements from sculpture and painting, the artist create figurative sculpture with tinted plaster so that the finished object appears to contain the effect of light.
只不过重点不同，侧重物之理，绘画形式则倾向于具象；
Painting should conform to logic of both thing and painting, but with different point of emphasis.
具象写实绘画和摄影的关系其实非常接近。
Expression figurative and photography have very close relations.
从现实主义的绘画方式完全转向非具象而带有抽象味的画家是如此罕见的，但在90年代黄铭哲就是这样冒险追寻抽象主义的绘画方式。
Rare as it is for a realist artist to transform its painterly manner completely. in the 1990s, Huang did just that and ventured into the oppositie of realism, abstraction.
从现实主义的绘画方式完全转向非具象而带有抽象味的画家是如此罕见的，但在90年代黄铭哲就是这样冒险追寻抽象主义的绘画方式。
Rare as it is for a realist artist to transform its painterly manner completely. in the 1990s, Huang did just that and ventured into the oppositie of realism, abstraction.
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