本文论述了传统美学观在现代广告招贴设计中的体现。
This thesis describes the embodiment of the traditional aesthetics in the modern advertising poster design.
宗白华生命美学观的独特之处在于，它建立在中国传统生命哲学的基础上并对西方生命哲学加以整合而成。
The special feature of Zong Baihua's life aesthetics theory is th at based on China's traditional life philosophy, and integrated with western life philosophy comes his theory.
作为外来的广告艺术，在中国设计者的作品中，时时流露出传统的美学观潜移默化的影响。
As an outside advertising art, it commonly reveals the influence of the traditional aesthetic concept in Chinese designers 'works.
按照中国传统文化中的和谐、中庸美学观，作曲家在冲突中摸索着使二者平衡的方法和形式。
According to the aesthetics view of harmony and Golden mean in Chinese traditional culture, composer try to find out a method and form to make them balance among conflict.
他的音乐美学观不但确立了音乐的自主独立性，而且还是西方形式主义批评从传统走向现代之间的桥梁。
His musical aesthetic outlook did not only stablish the independence of music but was considered as a bridge of the Western formalistic criticism between tradition and the modern times.
现代派艺术在反对传统审美观和艺术观的基础上，形成了新的美学和艺术语言。
Being against the traditional views of aesthetics and art, modern art brought into being the new aesthetics and art language.
禅宗所体现出的美学思想与中国传统诗歌之间的关系，指出诗歌最终吸取了禅宗“空”观的美学意义，而创造出空灵剔透的中国诗歌意境。
The relation between Zen and the traditional poems of china indicates that the poem absorb "Kong" of Zen, and produce the realm of clear and diaphanous in poem.
其美学观既与传统的政教论审美理念相区别，又与旧式文人的所谓纯审美理念相区别，是关于美的功利主义与审美主义的梁式化合。
His ideas are different from traditional aesthetics ideas, and also different from the ideas of the old scholars. It is a combination of utilitarianism and aestheticism.
观物取象立象而尽意意象乃为中国古典美学中重要的根脉之一，饱含丰厚的艺术传统和艺术资源。
" As concept of admission ", "use image to show meaning ", "image" is one of the important root in Chinese classical aesthetics, full of rich artistic traditions and arts resources.
鲁迅散文诗集《野草》受日本传统美学思想影响，在植物审美观、无色自然观、“知物哀”方面建构了诗艺的空寂美，体现了诗人心灵境界“空性”、“无分别心”的层面。
It constructs the beauty of transcendency of poetry from the perspective of aesthetic standards of plant, natural standards of colorlessness and the spiritual sustenance of feeling of objects.
鲁迅散文诗集《野草》受日本传统美学思想影响，在植物审美观、无色自然观、“知物哀”方面建构了诗艺的空寂美，体现了诗人心灵境界“空性”、“无分别心”的层面。
It constructs the beauty of transcendency of poetry from the perspective of aesthetic standards of plant, natural standards of colorlessness and the spiritual sustenance of feeling of objects.
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