• 可以用作独奏歌剧传统戏曲伴奏

    It can be played solo or as an accompaniment in operas and traditional dramas.

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  • 歌舞伎能剧一样是日本最有代表性传统戏曲之一

    Kabuki and Noh in Japan as the most representative one of the traditional operas.

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  • 局限在于忽视了男中国传统戏曲艺术中的特殊审美价值

    Its limitation is because he ignored the NanDan's special aesthetic value in the Chinese traditional opera art.

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  • 本文认为吴祖光话剧创作中国传统戏曲艺术对他的影响密不可分

    The paper believes that Wu's modern drama creation is related to traditional Chinese opera art closely.

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  • 古代哲学传统戏曲以及民俗文化艺术的研究保留了弥足珍贵史料

    It would supply plenty of rare materials for studying the ancient philosophy, traditional play and folk-custom.

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  • 京剧我国传统戏曲代表也是完美体现中国文化精髓一种艺术形式

    Beijing Opera, the refined traditional Chinese form of art, is one of the best representatives of the essence of Chinese culture.

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  • 认为中国传统戏曲优势之处在于能够艺术方式人生进行“写实”。

    Secondly, he thought the most advantage of Chinese Traditional Opera is to "writing realistically" for life by artistic forms.

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  • 实践理论舞台积淀衡量传统戏曲中国话剧舞台艺术产生影响三个方面

    Practice, theory, and accumulation of performance are three aspects to measure the influences of traditional Chinese opera on Chinese modern drama stagecraft.

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  • 通过传统戏曲资源演绎阐释,赋予了时代意义同时激发新的民族想象

    Through the resources of traditional Chinese opera should be interpreted and explained the meaning given the times, and at the same time to stimulate a new national imagination.

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  • 汲取中国传统戏曲艺术有机养料促进“中国声乐学派”在唱法探究上的日益成熟。

    The absorption of the organic nourishment of the Chinese traditional opera will promote the accomplishment of the exploration of singing art of "Chinese School of Vocality".

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  • 中国木偶特点是:把中国传统戏曲西方话剧完美融合木偶表演之中;除了观赏性。

    The characteristics of Chinese puppet show: a perfect combination of Chienes traditional opera and Western drama in puppet show.

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  • “巫”文化遗传基因形成了中国传统戏曲脸谱的“非人化”、“自然”的仪式性形式主义

    The cultural genetic factor of the shamanism has become a kind of the ritual formalism of Chinese traditional opera face-painting.

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  • 第二是建立在对欧美音乐剧以及中国传统戏曲两个范本运作管理模式分析基础之上的研究。

    The second chapter bases its discussion on the comparison of two respective managing models of Euramerican Musical and Chinese traditional drama.

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  • 传统戏曲音乐自然流变的河流,始终保持传统的古典,保持着本身固有的旋律特征

    Traditional opera is a kind of natural music, constantly keeping its traditional classical beauty and owing its own melodious feature.

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  • 传统戏曲舞美形式戏曲艺术整体密切相联,无视戏曲整体艺术特征无异于取消戏曲艺术本身。

    The traditional drama form and the drama arts whole close relation, take no cognizance the drama whole art characteristic just like in the cancel drama art.

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  • 中国传统戏曲小说存在虚假的“团圆主义”即“大团圆”的结局,使作品形成了一种单一陈旧模式

    It existed the false reunion in the Chinese traditional drama novel, Which became and old and Single mode.

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  • 昆曲戏曲活化石,流传至今已有六百多年历史它那婉转细腻的音乐风格传统戏曲独树一帜

    Kun opera, which has a history of 600 years, is a living fossil in the history of opera, whose delicate musical style makes it unique in the Chinese traditional opera.

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  • 结语部分得出结论太康道情中国传统戏曲形成一个例证戏曲程序化过程是中国很多剧种形成轨迹

    In the conclusion part concludes: Taikang Daoqing drama is the traditional Chinese operas form a miniature opera programmable process is the formation of the traditional Chinese opera trajectory.

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  • 中国传统戏曲过去曾一度称为传奇”;我们祖先心中的“雅乐”,是他们精神家园,是他们生活的一部分

    Used to be called "legend", traditional Chinese opera was our ancestors' ceremonial classic music in their minds, their spiritual homeland, and a part of their lives.

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  • 京剧中国所有传统戏剧艺术形式具代表性,也是中国最大戏曲形式

    Beijing Opera is the most representative of all Chinese traditional dramatic art forms and the largest Chinese opera form.

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  • 中国传统戏剧表演时具有虚拟性特点就使戏曲艺术具有“写意性”的内在特征。

    Chinese traditional dramas are characteristic of "suppositionality" in performance which represents the imaginative expression of dramatic arts.

    youdao

  • 中国传统戏剧表演时具有虚拟性特点就使戏曲艺术具有“写意性”的内在特征。

    Chinese traditional dramas are characteristic of "suppositionality" in performance which represents the imaginative expression of dramatic arts.

    youdao

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