书籍设计是一种立体的思考行动。
It is a kind of stereoscopic thinking action that the books are designed.
可读性是书籍内容的核心，易读性则是书籍设计的核心。
Just as readability is the essence of the content of books, legibility is the core of book design.
150年来，布莱叶盲文书籍设计的功能尽可能做到与印刷图书相同。
For 150 years, Braille books were designed to function as much as possible like print books.
第五部分对书籍设计时空艺术性的未来前景的预测和展望。
The forth part, predicts and forecasts the future prospects of The Times and space art of book design.
书籍设计不同于绘画，它具有商品和艺术相结合的双重特性。
Being different with the art paint, book design has a integrated characteristic on art and merchandise.
第二部分对书籍设计时空艺术性的不同实现方式进行了探讨研究。
The second part, focus on the deferent realize ways of The Times and space art of book design.
当代社会人们对书籍设计的要求不断提高，书籍设计越来越走向多元化。
In contemporary society, people have more and more higher demands for book design. Books trend to diversification design.
此论文的基本框架如下：第一章：阐述现代绘本书籍设计的概念和特点。
The basic frame of this thesis is as follows: the first chapter states the concept and character in the modern picture book design.
长期以来书籍设计被认为是单纯的平面设计，被认为是封面设计与版式设计。
For a very long time, book design is believed to be a pure plain design and confined to cover design and format design.
自1968年从事设计。个人兴趣在出版与书籍设计、平面图形和信息建构。
My main interests are publication and book design, graphic dramaturgy and info architecture. Designs since 1968.
书籍设计界提出的新挑战不仅加强了设计的重要性，还提高了设计的潜在能力。
The new challenge raises by the book design industry not only enhances the importance in design but also improved the potential ability to design.
对书籍装帧设计进行简要的现状分析，提出将生态学引入书籍设计的全新思路。
Analyzing the present condition for the design of the book, the thesis tries to lead the ecosystem into the design.
读者阅读心理的时间延续性和趣味性追求，是书籍设计的时空艺术性的基本依据。
Readers' demands of the time continuity and the reading interesting, which are basis foundation of the times and space art of book design.
本文着重从书口语言陈述方式的角度，去探求书籍设计中新的表达方式和表现方法。
This article explores the new expression method of book design by emphasizing the perspective of statement model of the fore-edge language.
书籍设计应该是一种立体的思维，是注入时间概念的塑造三维空间的“书籍建筑”。
The books design should be one kind of three-dimensional thought, Is pours into the time concept the mold three-dimensional space "the books construction".
在现今设计语言国际化的背景下，各国书籍设计语言的民族特征变得越来越不明显。
Under the present background of design language internationalization, the national characteristics of every nation's book design language became less obvious.
第一章阐述我国书籍设计的现状，引出本论文的选题背景、实践意义和研究方法等内容。
The first chapter discussed the facts of book design in our country, educed the theme's background, practical significance and research method of the article.
在荷兰已经将近一个月，这篇日志主要展示荷兰一些有意思的口袋书籍设计和我的一些生活片段。
I've been in the Netherlands for about one month, Here are some pocket-mini book designs that really impressed me and my life scene in Rotterdam.
从著名的铸造厂或者字体设计商那里购买字体授权，在纸质书籍设计上司空见惯，但对电子书还是不可能的任务。
Licensing custom fonts from a well-known foundry or font designer, a ubiquitous practice in print book design, is an impossibility for e-books.
传统书籍设计将图文，标示等元素通过编排、印刷、装订技术，建构一个以信息传送为目的的单向载体。
Traditional books design constructs texts, images, remarks etc, into a one-way carrier that is aimed to transmit information through the technology of arrangement, print and binding.
设计封面需要精准的眼光，你曾经有许多封面作品，如CUT杂志和一些书籍设计，这方面的设计重点为何？
Designing covers needs precise visual sight and there are various covers in your profile, such as CUT Magazine and book cover projects. What is your emphasis while designing covers?
如何从书籍设计的时空艺术性出发设计出符合现代社会读者阅读习惯的人性化书籍，是本文研究的主要使命。
The main mission of this article: how to design humanized books which conform to contemporary reader's reading habits, this kind of book design depart from The Times and space art of book design.
导致很多人对现代设计，对于现代书籍设计的认识并不全面和深刻，仍然停留在为书做装饰和美化的层面上。
So, lots of people don't have a profound and entire understanding about book design, they just focus on the decoration and beautification of book.
通过对中国传统艺术的“意境”表现的探讨，在分析目前书籍设计现状的基础上，指出书籍设计中“意境”表现的意义。
Through discussion on the "mood" performance of traditional Chinese art, by analyzing the current status of book design, it explored the significance of "mood" performance in book design.
书籍设计可以说是书的第二文化主体，采用的设计语言往往是文化的象征，它即反映着，又开发着人的思维与审美方式。
Book design is the second cultural subject of a book. The design language we use is always the cultural symbol, which reflects and develops the thinking and aesthetic manners of people.
针对不同情况，进行合理的书籍设计不仅可以更好的体现书籍的内容，而且还可以适应孩子的成长，培养他们的阅读兴趣。
A good designing of a book can not only reflect better the content of the book but also fit children's growing and cultivate their interesting of reading.
针对不同情况，进行合理的书籍设计不仅可以更好的体现书籍的内容，而且还可以适应孩子的成长，培养他们的阅读兴趣。
A good designing of a book can not only reflect better the content of the book but also fit children's growing and cultivate their interesting of reading.
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