中国油画民族化的价值意义就在于：一方面它是中国“现代性”绘画结构中的有机组成部分；
The value of China's oil nationalization significance lies:on the one hand it is the "modern" painting an integral part of the structure;
“油画民族化”是中国现代美术史中的重要现象。
The nationalization of Chinese oil painting is an important phenomenon in the contemporary history of Chinese arts.
通过对西方风景油画与中国传统山水画的比较研究，旨在研究、探索中国风景油画创作的民族化问题。
Through the comparative study of the two, the purpose of this paper is to explore the problem of nationalization of Chinese traditional landscape painting.
建国以后，随着艺术家的不断探索，油画艺术在民族化的过程中，逐渐形成了具有中国现实主义的鲜明特色。
After founding of the nation, along with artist's unceasing exploration, oil painting art in nationality's process, formed gradually had the Chinese realism bright characteristic.
但在油画如何民族化或者说如何在油画中融入中国画传统精神的具体途径和创作方法上，还有很多需要探讨的问题。
But how in the oil nationalization in the oil or how the integration of Traditional spirit of Chinese painting and creative way of specific methods, there is still plenty of discussion.
笔者试图从尽量客观的视野来检视“油画民族化”的成因、弊端，并提出中国油画的出路。
The author tries to use objective view to see the causes and the shortcomings of oil painting's Nationalization and also bring forward the outlook of Chinese oil painting.
第三部分着重从实践的角度来分析目前中国油画取得的成就并不完全是在“油画民族化”的概念下进行的。
In the last part, the author analyses that the achievement of Chinese oil painting at present does not all follow the concept of oil painting's Nationalization in the view of practices.
第三部分着重从实践的角度来分析目前中国油画取得的成就并不完全是在“油画民族化”的概念下进行的。
In the last part, the author analyses that the achievement of Chinese oil painting at present does not all follow the concept of oil painting's Nationalization in the view of practices.
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