简单地通过文本传递、阅读，不能完成中国戏曲艺术的传承。
If transmission was simply text or reading based then one would lose the essence of the proper transmission of the art of the Chinese opera.
德国戏剧大师布莱希特在创作中十分注重借鉴吸收中国戏曲艺术的营养成分。
German drama master Brarite intends to make a referential use of the advantages of Chinese drama.
山西被誉为中国戏曲艺术的摇篮，其戏曲活动历史源远流长，戏曲种类繁多。
Shanxi, regarded as the cradle of Chinese opera arts, has a long history of opera performances and ranks the top concerning the opera types.
张庚虽然对周贻白的戏曲美学思想有很高的评价，但他对中国戏曲艺术审美特征所作出的判断却并没有将周贻白“空场子”的思想加以充分的吸纳和深入的阐述。
Although Zhang Geng have given higher appraisal to Zhou Yibai 's aesthetic thought, he hasn't absorbed and explained the Empty Place in his judgment on Chinese opera's aesthetic characteristics.
张庚虽然对周贻白的戏曲美学思想有很高的评价，但他对中国戏曲艺术审美特征所作出的判断却并没有将周贻白“空场子”的思想加以充分的吸纳和深入的阐述。
Although Zhang Geng have given higher appraisal to Zhou Yibai 's aesthetic thought, he hasn't absorbed and explained the Empty Place in his judgment on Chinese opera's aesthetic characteristics.
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