在上古神话中，神与人之间没有不可逾越的鸿沟。
In ancient mythology there was no impassable gulf separating the divine from the human beings.
中国上古神话和古希腊神话是多姿多彩的民间文学百花园中的奇葩。
The ancient China myth and the ancient Greek mythology are the miracles of the myriad folk art garden.
羿是上古神话中一位受人崇拜的英雄，但他的身上有着浓重的悲剧色彩。
Yi was a hero worshiped by people in ancient Chinese myth but hew as a hero with tragic characteristics.
以上各个特征之间互相渗透、不可分割，共同形成中国上古神话思维的整体特征。
All the features are closely connected, they constitute the whole distinguishing characteristics of Chinese primitive mythology.
上古神话，典籍记载的传说，后世的民风习俗等都证明了水在远古是生命的象征。
The legends carried in ancient myths and books as well as in the folkways and customs of later generations all attest that water was the symbol of life in remote antiquity.
人妖恋小说在对社会的反映、物的幻化、材的选择等方面都从上古神话中汲取了养分。
The person monster love novel on in the reflection society's way, the change idea, certain theme content these aspects derived the nutrient from the antiquity myth.
本文通过对人类上古神话和原始习俗研究原始人类的生命意识及其生死观这项文化心理。
In this paper is discussed a kind of cultural psychology typical of primitive people, that is, their life concept and their outlook on life and death.
中国上古神话存留在不同文本中呈现出不同的面貌，其部分原因在于汉字符号系统的独特性。
Ancient Chinese myths in different editions take on various forms, which is partly caused by the uniqueness of Chinese symbolic system.
从上古神话我们可以强烈地感受到人类超越自然力的制约和压抑，去开创自由生存境界的意志理念和精神品格。
From the ancient myth we can intensely feel the constraint that man transcends the nature, and the will idea and the spirit that man creates existence circumstances.
以中国上古神话中的图腾神话为纲，能对《说文解字》中相关汉字的字形、语义及背后所隐含的文化信息作科学分析。
According to Chinese myths, the grapheme, meaning and cultural information of related Chinese characters in Shuowen Jiezi could be analyzed scientifically.
从上古神话到全面成熟的明清小说，伴随着民族文化的历史进程与小说审美素质的渐次提高，小说人物形象逐渐由幼稚走向成熟。
From the ancient myths to the mature Ming and Qing novels, the novel characters gradually move to maturity with the historical advance of folk culture and the improved level of aesthetic quality.
从上古神话到全面成熟的明清小说，伴随着民族文化的历史进程与小说审美素质的渐次提高，小说人物形象逐渐由幼稚走向成熟。
From the ancient myths to the mature Ming and Qing novels, the novel characters gradually move to maturity with the historical advance of folk culture and the improved level of aesthetic quality.
应用推荐