The ink had run on the wet paper.
墨迹在那张湿纸上渗开了。
The paper towel, on the other hand, will absorb the still-wet ink out of the fabric somewhat, making the stain less obvious, and easier to remove.
另一方面，纸巾能或多或少吸收衣物上尚未干的墨迹，让污渍不那么明显，就就能更好的去除。
In order to successfully accomplish this the liquid adhesive, or ink should be able to wet the surface of the material.
为了成功地做到这一点的液体粘合剂，墨水或应该能够潮湿的表面材料。
The artist ran his fingers through the wet ink at the same speed that smoke evaporates to create the impression that he was painting in the smoke.
艺术家以相同的速度跑他的手指烟尘蒸发创建的印象，他是在通过湿烟墨画。
SJ2100A to spurt the code machine ink is dry, instant adhesion, not easy to wipe, in wet environment as excellent high temperature under clear also, frozen.
SJ 2100 A喷码机墨水瞬间即干，附着力强，不易擦拭，在潮湿环境下一样出色，高温冷冻下亦清晰。
Be careful, the ink is still wet.
小心，墨水还未干呢。
In order to successfully accomplish this, the liquid adhesive, or ink should be able to wet the surface of the material.
为了成功地做到这一点，液体胶，或墨水应该能够潮湿的表面材料。
He blotted the wet ink with a clean blotter.
墨水被吸墨纸吸干了。
The brush and ink technique in "the Resurgence of Painting Theory During the Daoguang and Xianfeng Period" characterized by the combination of "wet, thick and black ink" and "epigraphy-brush".
“道咸画学中兴”说的笔墨主要就是“湿、浓、黑”三墨与“碑学用笔”的结合。
墨水没干很容易弄出污迹。
The wet ink become smoky at some turning points of the bold lines, which the artist sees as an occasion that could not be repeated.
僧袍转角处墨点氤氲，与粗疏闲逸的线条相谐，在艺术家眼中，是一次不可重复的偶然；
He blotted the wet ink with a clean blotter.
他用干净的吸墨纸吸干墨水。
Correct ink trapping is very important in Wet-on-wet printing.
在湿叠印方面，适当的油墨牵力十分重要。
His ink style is wet rather than fluent, soft rather than elegant.
他的笔墨，虽润但并不潇洒流畅，虽柔但并不轻松幽雅。
But, he realized, even in his panic he had not wanted to smudge the creamy paper by shutting the book while the ink was wet.
然而他立即意识到，不管多慌乱他都不愿在墨迹未干时合本子，怕弄脏那奶油般白腻的纸张。
But, he realized, even in his panic he had not wanted to smudge the creamy paper by shutting the book while the ink was wet.
然而他立即意识到，不管多慌乱他都不愿在墨迹未干时合本子，怕弄脏那奶油般白腻的纸张。
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