Western opera is the rarity of the world culture.
西洋歌剧是世界文化的瑰宝。
Compared with Western operas, Peking opera is extremely free to express the change in time and space.
相比较于西方歌剧，京剧对时间和空间的表现显得格外自由。
In Beijing, you are almost as likely to find a performance of Western opera as traditional Peking opera.
在北京，你发现西方歌剧表演的可能性同发现传统京剧表演的可能性一样大。
She forms a new interpretation of Western opera, the beauty of Oriental art, reflects Chinese art and Western art of the perfect combination.
她以西洋歌剧形式全新演绎东方艺术之美，体现了中国艺术与西方艺术的完美结合。
This essay discusses differences between Chinese traditional opera and western opera from two perspectives: the exterior factors and the exterior factors.
本文主要从两个方面比较中国戏曲与西文戏剧的特点。
The U.S.-based composer Bright Sheng believes that on a deeper level, these practices have created nothing less than “a subtle aesthetic change of the Western opera genre.”
扎根于美国的作曲家盛宗亮认为，在更深一层次上，这些都已经带来了“一种微妙的西洋歌剧风格的审美变化。”
The reason why Chinese opera and Western opera vary so much in the form of acting and patterns are mainly because the authors adopt different time-treating and special-treating patterns.
中国戏曲和西方戏剧在表演形式和作品结构方面，之所以差别这么大，本质上是由于对时空处理采用不同方式所致。
The essay also gives a general introduction about the history, present situation of Chinese traditional opera and western opera, and about how they have blended and learned from each other.
为了更好地进行比较，文章对中国戏曲与西文戏剧的历史和现状以及相互借鉴，有所交融的情况作了简介。
This opera is one of the cultural totems of Western civilization.
这部歌剧是西方文明的文化标志之一。
More recently, the space opera series Firefly used an explicitly western theme for its portrayal of frontier worlds.
更近一点，太空歌剧系列片《萤火虫》在刻画蛮荒世界的时候几乎完全照搬西部片的模式。
Ms Montgomery, a classically trained musician who also fronts a country-and-western band, was inspired to write the opera after reading Mr Clinton’s autobiography.
Montgomery女士是一名受乡村音乐影响的古典音乐家，她受克林顿自传的启发，编写了这部歌剧。
A small theater opera, in recent years was consider the first story in the local community for clues to the Chines and Western dramatic art-based combination of the original opera.
小剧场歌剧《再别康桥》被认为是近年来第一部以本土故事为线索，以中西方戏曲艺术相结合方式为主的小剧场原创歌剧。
The characteristics of Chinese puppet show: a perfect combination of Chienes traditional opera and Western drama in puppet show.
中国木偶的特点是：把中国传统戏曲和西方话剧完美地融合在木偶表演之中；除了观赏性。
The songs bore testimony to his evolving musical journey from pop to hip hop and R&B, and the latest "Chinked Out" music that blends Chinese opera with Western hip hop and rap.
这些歌曲见证了他的音乐进化旅程，从流行到嘻哈和R&B，再到最新的“华人嘻哈”—一种融合了中国的京剧与西方的嘻哈和说唱的新曲风。
It absorbed and rebuilt Chinese classical miserable opera and western tragedy, and formed a brand-new thing unique in style.
它对中国古典悲情戏和西方悲剧吸纳、改造，进而生成，形成了一种自成一格的“新物”的特色。
The problem is that although opera studies have to borrow western ideas and research methods, the local operas themselves cannot be entirely measured up to western theories.
问题在于，戏曲研究虽无法不借重西方学术的一些观念和方法，但戏曲艺术本身却又与西方的戏剧理论不尽吻合。
Different from western drama, traditional Chinese opera takes the stage as the centre of surroundings, and thus forms the watching place, i. e. theatre.
与西方戏剧不同，中国戏曲是以戏台为中心引入环境空间而形成观演场所——剧场。
The creative anachronisms are part of China's effort to develop a popular audience for opera, figuring that if the country is going to import Western culture, it might as well be high culture.
中国努力培养歌剧观众，它觉得既然中国要引入西方文化，不如引入高雅文化，而歌剧就是高雅文化。
Workshops were held on dance, magic, circus, western and Chinese handicrafts, story-telling and story-building, painting and Cantonese opera training.
此外，还有舞蹈、魔术、马戏团、西洋及中国手工艺、讲故事及听故事、绘画及儿童粤剧工作坊。
Exorcising opera in western Hunan derived from Han nationality, and evolved from exorcising sacrifice, to exorcising ceremony, to exorcising dance and to exorcising opera.
湘西傩堂戏源于中原汉族的傩堂戏，曾经历了傩祭傩仪傩舞傩戏的演变历程。
The classic Chinese opera is composite and different in form from the Western drama.
中国古典戏曲是一种同西方戏剧的形式有较大差异的综合艺术。
From the traditional opera widely known in both eastern and western countries, this thesis attempts to probe into the space consciousness of traditional paintings in east and west.
本文从大家非常熟悉的传统中西方戏剧为切入点，探讨传统中西绘画的空间意识。
From the traditional opera widely known in both eastern and western countries, this thesis attempts to probe into the space consciousness of traditional paintings in east and west.
本文从大家非常熟悉的传统中西方戏剧为切入点，探讨传统中西绘画的空间意识。
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