Walter Benjamin (1892-1940) has been regarded as a margin to the Frankfurt School for a long time.
沃尔特·本雅明(1892- 1940)一直以来被看作法兰克福学派的边缘人物。
Walter Benjamin put forward aura, which generalized the aesthetic characteristic of traditional art.
灵韵是本雅明首先提出的，它概括了传统艺术的审美特征。
The last part quotes the art production theory of Walter Benjamin as basis to discuss the question that the originality art can still exist at the stereotyped age of technology copy .
第三部分以本雅明的艺术生产理论为依据，论述了在技术复制的“千篇一律”的时代，独创性艺术仍然能够存在。
The last part quotes the art production theory of Walter Benjamin as basis to discuss the question that the originality art can still exist at the stereotyped age of technology copy .
第三部分以本雅明的艺术生产理论为依据，论述了在技术复制的“千篇一律”的时代，独创性艺术仍然能够存在。
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