"The curtain went up and revealed a piano, " Sondheim recalled, "A butler took a duster and brushed it up, tinkling the keys."
“幕布升起来，现出一架钢琴，”桑德海姆回忆道，“一个男演员拿一块抹布擦拭琴键，发出一阵叮当声。”
Everybody wants to be Sondheim but me.
人人皆想成为桑德海，除了我。
But I don't want to be Sondheim - no way.
我偏不想成为桑德海，一切免谈。
Everybody wants to be Sondheim but... yours truly.
人人皆想成为桑德海，但……听鄙人进言。
Unless otherwise noted, music and lyrics by Stephen Sondheim.
如无特别标注，词曲作者都是斯蒂芬·桑德海姆。
In doing so, Sondheim was able to bring his work to another level.
这种做法将桑德海姆的作品带往另一个高度。
Sondheim again was able to show his versatility and his adaptability.
桑德海姆又一次的展现出他的多才多艺和改编能力。
Sondheim worked closely with book writer Arthur Laurents to create the show.
桑德海姆与剧本编写者阿瑟·劳伦兹密切合作完成了词的创作。
When Foxy died on September 15, 1993, Sondheim refused to attend her funeral.
当弗克西于1993年9月15日去世之后，桑德海姆拒绝参加她的葬礼。
The collaboration between Sondheim and Prince would largely end after Merrily.
桑德海姆和普林斯的合作在《那》以后基本结束。
At this point, Sondheim had participated in three straight hits - he'd yet to taste failure on Broadway.
这个时候，桑德海姆已经参与到三部剧目之中——他还得在百老汇品尝失败的滋味。
An avid fan of games, in 1968 and 1969 Sondheim published a series of word puzzles in New York magazine.
他是一个游戏迷。 1968年和1969年期间，他曾在《纽约》杂志上发表过一系列字谜游戏。
Sondheim traces his interest in theater to Very Warm for May, a Broadway musical he saw at the age of nine.
桑德海姆对戏剧的兴趣要追溯到《炎热的五月》[VeryWarmfor May]——他在九岁时观看的一部百老汇音乐剧。
Hammerstein had a profound influence on the young Sondheim, especially in his development of love for musical theater.
汉默斯坦对小桑德海姆有非常大的影响，尤其是培养起他对音乐剧的热爱上。
On September 26th 1957, Stephen Sondheim wrote a letter to Leonard Bernstein upon the opening of West Side Story.
1957年9月26日，《西区故事》的首演日，史蒂芬·桑德海给里奥纳多·伯恩斯坦书写了一份信函。
During high school, Sondheim attended George school, a private Quaker preparatory school in Bucks County, Pennsylvania.
高中的时候，他进入了乔治中学[GeorgeSchool]，宾夕法尼亚州巴克镇的一个教友派小学。
"The curtain went up and revealed a piano," Sondheim recalled. "a butler took a duster and brushed it up, tinkling the keys."
“幕布升起来，现出一架钢琴，”桑德海姆回忆道，“一个男演员拿一块抹布擦拭琴键，发出一阵叮当声。”
Regarding whether he had any interest in writing new work, Sondheim was quoted in a 2006 Time Out London interview as saying
在2006年的采访中问道他是否有兴趣创作新作品的时候，桑德海姆回答
The elder Hammerstein became a surrogate father to Sondheim, as the young man attempted to stay away from home as much as possible.
他尽一切可能的远离自己的家，久而久之，老汉默斯坦在他心中替代了父亲的角色。
The failure of Merrily greatly affected Sondheim; he was ready to quit theater and do movies or create video games or write mysteries.
《那》的失败强烈影响到桑德海姆。他一度想要退出戏剧界，转而做电影，或者电玩，或者写惊悚小说。
Finally, Sondheim participated in a musical for which he wrote both the music and lyrics, a Funny Thing Happened on the Way to the Forum.
终于，桑德海姆参与了同时由他作词作曲的音乐剧《论坛路上趣事多》[a FunnyThingHappenedonthe Wayto the Forum]。
In the late nineties, Sondheim reunited with Hal Prince for Wise Guys, a long-in-the-works musical comedy about Addison and Wilson Mizner.
九十年代末，桑德海姆再次和哈尔·普林斯合作了《聪明的家伙》[Wise Guys]，讲述阿狄森和威尔森·米兹纳[Addison &Wilson Mizner]故事的一部长期制作的音乐剧。
In 1950, Sondheim graduated magna cum laude from Williams College in Williamstown, Massachusetts, where he was a member of Beta Theta Pi fraternity.
1950年，桑德海姆以优等成绩从马萨诸塞州威廉斯顿的威廉斯学院毕业。他曾是学院兄弟会[BetaThetaPi Fraternity]的成员。
Pacific Overtures (1976) was the most non-traditional of the Sondheim-Prince collaborations, an intellectual exploration of the westernization of Japan.
《太平洋序曲》[1976]是桑德海姆与普林斯搭档的最异于传统的作品，它巧妙的表现了日本西方化的过程。
In 1954, Sondheim wrote both music and lyrics for Saturday Night, which was never produced on Broadway and was shelved until a 1997 production at London's Bridewell Theatre.
在1954年，桑德海姆为音乐剧《酸甜苦辣周末夜》[Saturday Night]谱曲作词。 但是这部作品从未在百老汇制作过，一直处于被冷落的状态，直到1997年才由伦敦的布莱德维尔剧院制作上演。
Stephen Sondheim was born to Herbert and Janet ("Foxy") Sondheim, in New York City, New York, and grew up on the Upper West Side of Manhattan and later on a farm in Pennsylvania.
他出生于纽约市，从小在曼哈顿上西城长大，后来移居到宾夕法尼亚州的一个农场。
He also displays a penchant for angular harmonies and intricate melodies reminiscent of Bach (Sondheim has claimed that he "loves Bach" but his favorite period is Brahms to Stravinsky). [6].
他也体现出对多角度和谐音以及类似巴赫的精细旋律的嗜好[桑德海姆表明过他“热爱巴赫”，但是他最喜欢的是勃拉姆斯到斯特拉·文斯基时期的古典音乐]。
He also displays a penchant for angular harmonies and intricate melodies reminiscent of Bach (Sondheim has claimed that he "loves Bach" but his favorite period is Brahms to Stravinsky). [6].
他也体现出对多角度和谐音以及类似巴赫的精细旋律的嗜好[桑德海姆表明过他“热爱巴赫”，但是他最喜欢的是勃拉姆斯到斯特拉·文斯基时期的古典音乐]。
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