Therefore, there was frequent employment of supernatural elements in Shakespeares plays.
在莎士比亚戏剧中，女巫、预言、鬼魂、精灵等超自然因素频繁出现。
Richard the Third in Shakespeares works lives both with a physical body and a "communicating body."
莎士比亚笔下的理查三世既有着生理身体，又有着交往身体。
It is in these tragic heroes that Shakespeares probe for his ideal human nature is artistically embodied.
在悲剧英雄身上，莎士比亚对于理想人性的探索得到了艺术化的体现。
It is almost a universally acknowledged statement that Shakespeares depiction of women is of a new line of humanism.
关于莎士比亚的妇女观是新型的人文主义说，几乎已成公论。
The Globe is a reconstruction of a theatre where many of Shakespeares plays were performed before it burnt down in 1613.
环球剧院是一个重建的剧场，原来的剧场在1613年被烧毁，在那之前，莎士比亚的很多戏剧都在此演出。
The paper analyzes Shakespeares tragedy King Lear from the perspective of feminism, exposing the strong male consciousness of the play.
文章运用女权批评，通过阐释在《寒夜》女性人物塑造中的不同，以及小说叙述中的文本失真，分析出作家创作中潜藏的男性意识。
Shakespeares brother Edmund was buried here in 1607, and, although the position of Edmunds grave is unknown, he is commemorated by an inscribed stone.
莎士比亚的弟弟Edmund于1607年埋葬于此，尽管人们不知道Edmund坟墓的位置，但还是用一块刻字石碑来纪念他。
The Romantics, in particular, acclaimed Shakespeares genius, and the Victorians worshipped Shakespeare with a reverence that George Bernard Shaw called bardolatry.
浪漫主义时期赞颂莎士比亚的才华，维多利亚时代像英雄一样地尊敬他，被萧伯纳称为莎士比亚崇拜。
Based on the aesthetic opinion of Michel Foucault, this paper focuses on the analysis of the transformation of the identity of King Lear in Shakespeares tragedy King Lear.
在米歇尔·福柯审美决定论的基础上，文章分析了《李尔王》中李尔从国王走向疯癫最终死亡的过程。
Not counting the books that had come out the year before and not counting the Mark Twains, William Shakespeares, and other guys whose books were also crowding store shelves.
没有算那一年之前出版的书，还没算马克·吐温，威廉·莎士比亚，还有那些书已经挤满了书店书架的别的家伙。
And there are the townsfolk who largely live off the tourists who come, not to see the plays, but to look at Anne Hathaways Cottage, Shakespeares birthplace and the other sights.
另一边是靠游客谋生的市民，游客来到小镇不是为了看戏，而是想看看安妮·海瑟薇的房舍、莎士比亚的出生地和其他的风景点。
And there are the townsfolk who largely live off the tourists who come, not to see the plays, but to look at Anne Hathaways Cottage, Shakespeares birthplace and the other sights.
另一边是靠游客谋生的市民，游客来到小镇不是为了看戏，而是想看看安妮·海瑟薇的房舍、莎士比亚的出生地和其他的风景点。
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