第二部分分析了《原野》的剧情结构及音乐特征。
The second part analyzes the music features and the structure of the plot.
首先,本文确立了汉语非施事主语“起来”结构的中动地位,并对其语义、句法特征进行了描述和分析。
First, the status of Chinese non-agent subject qilai construction as middle construction Chinese is established.
首先,本文确立了汉语非施事主语“起来”结构的中动地位,并对其语义、句法特征进行了描述和分析。
First, the status of Chinese non-agent subject qilai construction as middle construction Chinese is established.
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