My opening example is Mondrian.
我的首例就是蒙德里安。
Piet Mondrian, Gray Tree (1911).
蒙德里安的《灰树》(1911)。
He is painting freehand, without a paper strip to help him, because he thought that is what Mondrian did.
他在徒手作画，也没有用纸条辅助，因为他觉得蒙德里安就是这么做的。
The work from Piet Mondrian on the next page predates his more popular imagery that we’ve already looked at.
下页里这幅蒙德里安的作品比我们前面所看到的那幅更流行的画作要更早一些。
In this piece, Mondrian is attempting to convey the energy of a tree through the use of chaotic curved lines.
在这幅作品中，蒙德里安试图通过使用混乱的曲线来诠释树的活力。
Out: I am working on some private residences as well as the new Mondrian hotels in Miami South Beach and Las Vegas.
现在我在美国迈阿密和拉斯维加斯设计一系列的私人住宅项目，同时也在设计一系列蒙德里安风格的酒店。
The page after features a popular work by Piet Mondrian, which represents a very pure use of horizontal and vertical lines.
后面一页展示了蒙德里安一幅广为流传的作品，它表现了横线与竖线非常纯粹的运用。
Some of value did leave: Mondrian, Dali, Duchamp, Chagall and Léger were among those who made their various ways to New York.
有些精英的确离开了：蒙德里安（Mondrian）、达利（Dali）、杜尚（Duchamp）、夏加尔（Chagall）和莱热（Léger）等一些人通过种种渠道去了纽约。
Specifically, one of the Mondrian paintings in the collection of the Art Institute of Chicago, across the street from where I work.
具体地说，是我工作的大街对面的芝加哥美术馆收藏的一幅蒙德里安画作。
[font=Verdana]He was always imaginative, taking inspiration not just from artists like Mondrian but also from Africa and Russian ballet.
他总是那么富有想象力，他不仅从像蒙德里安（Mondrian）这样的艺术家中萃取灵感，还从非洲以及俄罗斯的芭蕾舞蹈中得到启示。
And what about artists such as Mondrian, whose paintings consist exclusively of horizontal and vertical lines encasing blocks of colour?
还有像蒙德里安这样的艺术家怎么样？他们的画完全是由水平和垂直的线条包围着色块构成的。
InfoQ spoke to Julian Hyde, olap4j specification lead, Pentaho lead Architect for Analysis and Mondrian Founder, to find out more about olap4j.
InfoQ有幸采访了olap4 j规范的领导者、Pentaho分析的首席架构师和Mondrian的创始人JulianHyde，以了解olap4j的更多内容。
And as for such modernists as miro, Mondrian, and Klee, it would be another four or five years before I would catch on12 to what they and their colleagues were up to.
至于像米罗、蒙德里安与克莱，我可能要等四五年以后才能明白他们和他们的同行们到底想要干什么。
Some painters prefer the old, poisonous solvents and pigments to the new healthier materials. he is painting freehand, without a paper strip to help him, because he thought that is what Mondrian did.
一些画家会宁可选择旧的有毒溶剂而不是新的更安全的材料。他在徒手作画，也没有用纸条辅助，因为他觉得蒙德里安就是这么做的。
Some painters prefer the old, poisonous solvents and pigments to the new healthier materials. he is painting freehand, without a paper strip to help him, because he thought that is what Mondrian did.
一些画家会宁可选择旧的有毒溶剂而不是新的更安全的材料。他在徒手作画，也没有用纸条辅助，因为他觉得蒙德里安就是这么做的。
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