• Now, in writing in these genres, Milton is, of course, confronted with a dilemma. He's a humanist scholar.

    当然,弥尔顿用这种风格来写,就会面临一种窘境,他是一位人文主义学者。

    耶鲁公开课 - 弥尔顿课程节选

  • It's a late Victorian image of an archaic singer rendered in the melodramatic manner of Pre-Raphaelite art and thoroughly removed from the aesthetic values of modernism, such as naturalism, formal clarity, emotional restraint and so on.

    这是维多利亚时代晚期古代吟唱诗人的肖像,用戏剧化的前拉斐尔派,风格表现,完全摒弃了,现代主义的审美观,比如自然主义,形式明确,感情自制等等。

    耶鲁公开课 - 现代诗歌课程节选

  • It is an example of what I call the imperialism of the straight line, where you have large boulevards that you can march armies down to, reviewing stands and all of that, totally different than Moscow.

    我所称的帝国主义直线型风格的范本,有足以让军队列队通过的宽阔的林荫大道,还有阅兵台之类的设计,这些和莫斯科太不一样了

    耶鲁公开课 - 欧洲文明课程节选

  • So, that is something these writers share with modernism, but there is one big difference and I want to exemplify that for you just by reading to you two parallel texts, one from the modernist canon and one from the Beat canon.

    所以,这就是这些作者和现代主义的相似之处,但其中有个很大的区别,我想通过举例来说明,我给你们读两段类似的文字,分别是标准的现代主义风格和垮掉的一代的风格

    耶鲁公开课 - 1945年后的美国小说课程节选

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