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Yes, this, too, is an utterly regular iambic pentameter line: unstressed syllable followed by a stressed syllable, five in a row.
是的，这是个典型的抑扬格五步格诗：,不重读的音节后面一个重读的音，五个成一行。
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Yeah,not so much,but if you think about it--so it's not that--if you--it's not that we're allowing even more space here.
是的，就这么多变化了，但是你想想不仅仅是这些,我们的时间不允许让这两个音离的更远了。
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It's rhymed iambic tetrameter, four beats per line, with some variations.
这是首押韵的短长体四音部句，一行四音，也有些变化。
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But the minute I heart the first note of her voice, I burst into tears and I was convulsed.
可是就在我听到她唱的第一个音，我忍不住泪流满面，完全沉沦了。
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A mantra is something that you would just repeat over and over, for example, the syllable that everyone seems to be familiar with and popular one like Om, you can say Om over and over.
曼怛罗就是咒语,你一遍遍重复的内容，比如，大家都熟悉的音节,或唵这种众所周知的，你可以重复念唵音。
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But of course, a lot was known about these Mycenaeans well before the syllabary was deciphered.
当然,大量关于迈锡尼的知识,在那些表音文字被破译前就知道了
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Programs that can produce music that have-- that we recognize as music, that have melodic structure and develop themes, resolve, music that nobody's heard before.
这些程序可以生成,我们认可的音乐,这些音乐具有旋律形态和递进的主题,有转为和音的章节,而且从未有人听到过这些音乐
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We're off because our downbeats, our strong pulses always have to come on the first part of the bar, this note.
我们做错了,因为我们的重拍,我们的强拍,总是在每个小节的第一拍的那个音
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The fifth degree of the scale after the tonic is the next most important and it's called the dominant note.
主音后面的区域中五度,是下一个重要的概念,它被称为属音
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Usually, these get charted out into the so-called overtones, thirty-two partials or overtones, and you can see them playing out here .
通常,这些音就是图表上所谓的泛音,三十二个分音,或者叫泛音,在这张图中能清楚地看到
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With the Tchaikovsky they--all the intervals are the--the durations are the same, but with the Beethoven, short, short, short, long.
柴可夫斯基的乐曲中,所有和弦的时值都是一样的,但贝多芬的乐曲里,却是短音,短音,短音,长音
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There are precise technical reasons why these are the way they are, but let me try to cut to the chase here.
这里有些精确的技术原理,这些音为何会和谐与不和谐,让我开门见山地说吧
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If you've ever worked with a synthesizer: I think, is very simple terms here, what an electronic synthesizer does is play with these.
如果你们使用过合成器,这个词大家都明白意思吧,电子合成器就是用来处理这些分音的
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You knew it was time to start clapping as soon as that chord hit that, it stopped going back and forth,tonic,dominant,just sitting there.
你知道在这个和弦出来的时候要拍手，然后停下来，来回的行进，而主音，属音，然后保持住。
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That's called a pick-up. Okay? So we have a little pick-up I was thinking of a diver in the Olympics.
我们称之为拾音头或唱头,我想到奥运会上的跳水运动员
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And we talked about a triad being a configuration of three pitches where you take the first, the third and the fifth.
三和弦是由三个音高配置成的，你们可选取第一，第三和第五个音。
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Yeah, strings, violins, violins, but not the top part of the violin family, kind of second violin, middle range of the strings here.
是,弦乐,小提琴,但不是小提琴组的最高音,像是第二类小提琴声,弦乐的中部音域
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The first of the triad--this is a term that we'll be going over today--is called the what?
该和弦的第一个音，这个术语我们今天将会讲解，叫做什么？
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Let's listen to Luciano Pavarotti sing a leading tone, and as by coincidence, it happens to be the one-year anniversary of Pavarotti's death this week.
让我们听一下,卢西亚诺·帕瓦罗蒂演唱的导音,巧合的是,这周恰好是,帕瓦罗蒂逝世一周年
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But he brings, in effect, the sound of the downbeat in a beat early, gives it a little bit of pep there at that particular point.
但是他,事实上,把强拍的音提前了一拍,在这个位置添加了一丝刺激
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So that's something to think about.The closer these pitches are together, the more likely they are to be dissonant--and the desire to have some space added there.
所以想一想，这些音靠的越近就越容易不和谐，让人想在其中嵌入一些空间。
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Okay. So this is a leading tone going in to that particular note.
好吧,这是一个引出那个特定音符的导音
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So you can hear, the triplet being inserted, so a triplet is simply insertion of three notes in the place of two, not more complicated than that.
大家听到,插入了三连音,三连音只是简单地,在原来两个音符的位置上换成三个音,没有更复杂的概念了
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Think of one line. Think of a group of lines Here's one sound.
想想一行乐句是什么样的,一组呢,这是一个音
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It gets more dissonant, . the more notes that you add there.
加的音越多，和弦就越不和谐。
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So this one happens to begin with a sort of dominant chord.
所以这段是从某种属音和弦开始的。
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They tend to be just triads whereas in classical music we can have a triad but we can also add a seventh note with one,three,five,seven,nine,eleven, that kind of thing.
流行乐一般只用三和弦，但是古典乐可以用三和弦,也可以在上面加上七音，一，三，五，七，九，十一，诸如此类的。
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They love to kind of luxuriate in the opportunity to show off their voice on a leading tone, build up expectation, make you wait even more for that tonic.
他们总是喜欢借机,在导音部分卖弄下自己的歌喉,以增加听众的期望,让大家更渴望听到主音
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Well, we have a particular recipe for instrumental timbre or instrumental color and it's the intensity of the overtones with -- or partials-- within each particular instrument that creates that.
我们乐器的音质,或者说音色,也有独有的配方,那就是每种乐器营造的,分音,或泛音的强度
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