• Yes, this, too, is an utterly regular iambic pentameter line: unstressed syllable followed by a stressed syllable, five in a row.

    是的,这是个典型的抑扬格五步格诗:,不重读的节后面一个重读的,五个成一行。

    耶鲁公开课 - 现代诗歌课程节选

  • It's rhymed iambic tetrameter, four beats per line, with some variations.

    这是首押韵的短长体四部句,一行四,也有些变化。

    耶鲁公开课 - 现代诗歌课程节选

  • With the Tchaikovsky they--all the intervals are the--the durations are the same, but with the Beethoven, short, short, short, long.

    柴可夫斯基的乐曲中,所有和弦的时值都是一样的,但贝多芬的乐曲里,却是短,短,短,长

    耶鲁公开课 - 聆听音乐课程节选

  • But the minute I heart the first note of her voice, I burst into tears and I was convulsed.

    可是就在我听到她唱的第一个,我忍不住泪流满面,完全沉沦了。

    麻省理工公开课 - 电影哲学课程节选

  • A mantra is something that you would just repeat over and over, for example, the syllable that everyone seems to be familiar with and popular one like Om, you can say Om over and over.

    曼怛罗就是咒语,你一遍遍重复的内容,比如,大家都熟悉的节,或唵这种众所周知的,你可以重复念唵

    普林斯顿公开课 - 人性课程节选

  • Remember the other people, the octaves had been enunciated, the triads had been enunciated.

    记住其他人,八度也曾发明过,三元组也被发现过。

    麻省理工公开课 - 固态化学导论课程节选

  • But of course, a lot was known about these Mycenaeans well before the syllabary was deciphered.

    当然,大量关于迈锡尼的知识,在那些表文字被破译前就知道了

    耶鲁公开课 - 古希腊历史简介课程节选

  • Programs that can produce music that have-- that we recognize as music, that have melodic structure and develop themes, resolve, music that nobody's heard before.

    这些程序可以生成,我们认可的乐,这些乐具有旋律形态和递进的主题,有转为和的章节,而且从未有人听到过这些

    耶鲁公开课 - 死亡课程节选

  • Yeah,not so much,but if you think about it--so it's not that--if you--it's not that we're allowing even more space here.

    是的,就这么多变化了,但是你想想不仅仅是这些,我们的时间不允许让这两个离的更远了。

    耶鲁公开课 - 聆听音乐课程节选

  • We're off because our downbeats, our strong pulses always have to come on the first part of the bar, this note.

    我们做错了,因为我们的重拍,我们的强拍,总是在每个小节的第一拍的那个

    耶鲁公开课 - 聆听音乐课程节选

  • Usually, these get charted out into the so-called overtones, thirty-two partials or overtones, and you can see them playing out here .

    通常,这些就是图表上所谓的泛,三十二个分,或者叫泛,在这张图中能清楚地看到

    耶鲁公开课 - 聆听音乐课程节选

  • The fifth degree of the scale after the tonic is the next most important and it's called the dominant note.

    后面的区域中五度,是下一个重要的概念,它被称为属

    耶鲁公开课 - 聆听音乐课程节选

  • There are precise technical reasons why these are the way they are, but let me try to cut to the chase here.

    这里有些精确的技术原理,这些为何会和谐与不和谐,让我开门见山地说吧

    耶鲁公开课 - 聆听音乐课程节选

  • So we could say this is the root, maybe this is the third and that's the fifth.

    我们可以说这个是根,或许这个是三,且那个是五

    耶鲁公开课 - 聆听音乐课程节选

  • You knew it was time to start clapping as soon as that chord hit that, it stopped going back and forth,tonic,dominant,just sitting there.

    你知道在这个和弦出来的时候要拍手,然后停下来,来回的行进,而主,属,然后保持住。

    耶鲁公开课 - 聆听音乐课程节选

  • If you've ever worked with a synthesizer: I think, is very simple terms here, what an electronic synthesizer does is play with these.

    如果你们使用过合成器,这个词大家都明白意思吧,电子合成器就是用来处理这些分

    耶鲁公开课 - 聆听音乐课程节选

  • If you ever hear music rocking back and forth repeatedly between two chords, it's probably tonic,dominant,tonic,dominant.

    如果你听到乐在两个属里不断前后行进,这可能就是主,属,主,属

    耶鲁公开课 - 聆听音乐课程节选

  • Let's listen to Luciano Pavarotti sing a leading tone, and as by coincidence, it happens to be the one-year anniversary of Pavarotti's death this week.

    让我们听一下,卢西亚诺·帕瓦罗蒂演唱的导,巧合的是,这周恰好是,帕瓦罗蒂逝世一周年

    耶鲁公开课 - 聆听音乐课程节选

  • Then there's one other that we have to know about, it's called the leading tone.

    还有一个符我们需要了解,我们称之为导

    耶鲁公开课 - 聆听音乐课程节选

  • Okay, and you can hear him sort of-- he didn't go-- You could hear him slide that leading tone up into the tonic in that case.

    你可以听到,他并没有,大家可以听出,他是从导,滑到了主

    耶鲁公开课 - 聆听音乐课程节选

  • Someone asked me, "Well,why are some notes consonant and why are other notes dissonant?"

    有人问我,那么为什么有些符是和而有些不协调呢“

    耶鲁公开课 - 聆听音乐课程节选

  • We can see we have these low pitches, What did I just sing?

    我们可以看到这些是沉,我刚才唱了什么

    耶鲁公开课 - 聆听音乐课程节选

  • So if you hear two chords rocking, it's probably tonic and dominant.

    如果你听到有两个和弦,这有可能是主和属

    耶鲁公开课 - 聆听音乐课程节选

  • So this one happens to begin with a sort of dominant chord.

    所以这段是从某种属和弦开始的。

    耶鲁公开课 - 聆听音乐课程节选

  • It gets more dissonant, . the more notes that you add there.

    加的越多,和弦就越不和谐。

    耶鲁公开课 - 聆听音乐课程节选

  • They tend to be just triads whereas in classical music we can have a triad but we can also add a seventh note with one,three,five,seven,nine,eleven, that kind of thing.

    流行乐一般只用三和弦,但是古典乐可以用三和弦,也可以在上面加上七,一,三,五,七,九,十一,诸如此类的。

    耶鲁公开课 - 聆听音乐课程节选

  • Well, we have a particular recipe for instrumental timbre or instrumental color and it's the intensity of the overtones with -- or partials-- within each particular instrument that creates that.

    我们乐器的质,或者说色,也有独有的配方,那就是每种乐器营造的,分,或泛的强度

    耶鲁公开课 - 聆听音乐课程节选

  • The tempo here is very slow and he slows it down even more and then it just sits out there, this huge wonderful voice that he had, on the leading tone.

    速度非常缓慢,经他处理后就更慢了,余缭绕,他在导上展现了洪亮,精妙的歌喉

    耶鲁公开课 - 聆听音乐课程节选

  • So this is a little bit of dominant preparation.

    那么这就是一点属的准备。

    耶鲁公开课 - 聆听音乐课程节选

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