The relation between the speech sounds it's like the relation, as I'm saying, between the boy and the birches.
语言韵律和,就像这种关系,像我说的,像孩子和桦树的关系一样。
So, think about the birches as a tool, another tool, but this time a tool for play, a tool for playing alone.
把桦树看成一种工具,另一种工具,但是这次是玩的工具,只是玩的工具。
Let's illustrate these general points by just reading together and trying to hear the beginning of Robert Frost's poem "Birches," on page 211 in The Norton.
让我们解释这个笼统的观点通过一起读诗,尝试去听罗伯特·弗罗斯特的诗“桦树“,在211页,诺顿。
I." "Birches." "Bend." "Left." "Right."
我,““桦树,““弯曲,““左边,““右边,“
One could do worse than be a swinger of birches.
比“荡桦树“更没有意思的事,可有的是。
So was I once myself a swinger of birches.
当年,我自己也是“荡桦树“的能手。
And so I dream of going back to be.
现在还梦想着再去荡一回桦树。
Think, in "Birches," of really the extraordinary play of language, the freedom of association, all of which is being played off of the strict demands of the meter, at every moment.
想想,“桦树“,是无与伦比的对语言的把玩,自由的结合,所有这些都在格律诗严格的要求下自由地被使用着,每时每刻。
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