So, that's present in all of these moments, but--equally present-- I want to get back to this sense of blankness.
所以它在这些时候都被呈现了出来,而且是同等地呈现了出来-,让我们回头看看,这种空无一物的感觉。
so they are props. They're empty, they're just...
它们是道具。它们是空的,它们只是……
It just frees up space on the screen for more content and that may very well be a reasonable decision.
用来空出一些空间来显示更多的内容,那可能是一个非常合理的决定。
I'm gonna keep as part of each stock, it's history of prices, which we can initialize, well, I've initialized it as empty, but that's probably the wrong thing, right?
我会把股票的历史价格,作为每只股票的一部分,我们可以先对它的历史价格进行赋值,好了,我先给它赋了空值,但是这样做可能不对,是吗?
So what O'Connor does, is she presents a sense of the world imbued with structure and meaning, but a structure and meaning that looks essentially blank.
所以奥康纳所做的是,呈现一个充满了构架,和实义感的世界,只不过这些构架和实义,看起来完全是空无一物的。
There's nothing in it. It's empty. It's transparent.
里面什么也没有,它是空的,是透明的。
Keep in mind we do have this p orbital here and it's coming right out at us. And this p orbital is here, but it's empty, it doesn't have any electrons in it, that's why we don't have to worry about it in terms of getting our electrons as far away from each other as possible.
他们程120度角互相远离,这样它们离得最远,记住我们这里确实有个p轨道,它朝向我们,这里有个p轨道,但它是空的,里面没有电子,这就是为什么我们在考虑。
And he has left blanks here, question marks here and says it is advantageous to put them in rows and to form a table.
他左边栏是空的,还有问号,他认为,将元素以行列排成一个表格是很有好处的。
One thing was that he said that they shorted the Internet stocks in the late 1990s.
他说的其中一件事是,他们在90年代末做空了互联网概念股
And I can give a name to that, so c p 1 and c p 2 are both going to point to that.
为这个实例分配了空间,现在它是空的,实际上也不完全是空的。
Possibly an empty set of constraints.
约束条件得出的也可能是空值。
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