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What the Dutch painters painted reflects in the same way that Renaissance art reflected what was important to Renaissance Italy.
如同意大利的作品反映出文艺复兴的精髓,荷兰画家的作品,同样映射出当时的社会文化特点
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My favorite class? Um, probably American Renaissance.
我最喜欢的一堂课？应该是美国文艺复兴。
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In calling him here the Tuscan artist, in some respects we can see him forging an identification between himself as a literary artist and Galileo as a scientific artist.
从伽利略托斯卡纳大师的名号中，我们可以看出弥尔顿把他自己，一个文艺上的大师,和伽利略，科学上的大师，视为同一。
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In order to do this experiment, we're going to look at three short excerpts of popular entertainment.
为了做此实验，我们先来看三个大众文艺节目的片段。
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This is 1913, Pound in London, styling himself, isn't he, after those Renaissance artists and poets whom he would write about, translate in this period.
这是1913年庞德在伦敦，图如其人，不是吗？,这是在他所要写到的那些文艺复兴时期的艺术家，和诗人的思想被很好的表达出之后拍摄的。
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The model of Machiavellian virtu is the Renaissance statesman, Cesare Borgia in general, Cesare Borgia.
马奇亚维利式的美德模范,是文艺复兴时期的政治家，总的来说，即。
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But then of course, the rise of the Enlightenment is also the rise of anthropocentrism, and by the time the Enlightenment is in full cry you get everybody from Blake to Marx to Nietzsche saying not that God invented man, but that man invented God.
但当然，文艺复兴的兴起也是人类中心说的兴起，到文艺复兴的繁盛时期,从布莱克到马克思到尼采,每个人在说不是上帝发明了人类，而是人类发明了上帝。
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The tradition of these decentralized city-states that were the heart of the Renaissance.
这些城邦国家自治的传统,确实是文艺复兴的核心所在
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In Renaissance Italy they started writing insurance policies-- I read one of the insurance policies, it's in the Journal of Risk and Insurance-- and they translate a Renaissance insurance policy and it's very hard to understand what this policy was saying.
在文艺复兴时期的意大利,人们开始编写保单,我看过其中一份,刊登在《风险和保险杂志》上,他们翻译了一份文艺复兴时期的保单,但是很难理解那份保单到底想说什么
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So obviously the violin is not just this stodgy old thing from the Renaissance.
很明显,小提琴,不光是文艺复兴时的老古董
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If you look at Greece in this period, I don't know if I've used this term before, but some scholars refer to this general period we're talking about as the Greek renaissance by analogy to the renaissance in Italy.
如果纵观这个时期的希腊,我不知道以前是否用过这个定义,但一些学者,用意大利文艺复兴来比喻这个时期,把它称作希腊的文艺复兴
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It's a river that, I think, all classical writers, and a lot of Renaissance writers, are very comfortable placing in the underworld.
我认为对于所有的经典作家，和很多文艺复兴时期的作家，忘川在地狱中都是一个舒适的所在。
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Look at line 119: Blind mouths! that scarce themselves know how to hold A Sheep-hook, or have learn'd aught else the least That to the faithful Herdman's art belongs!"
看一下第119行：,妄言之口！他们甚至不知如何掌控,愚钝之人，从未经受过学识的洗礼,文艺只属于虔诚的牧人！
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It has been tempered in a celestial fire in ether, and it was the ether of the ethereal heavens that had always been thought -throughout the Renaissance and long before, of course -- to be the most perfect substance imaginable.
它是在广阔苍穹的天国之火中被锻造出，也是飘渺的天堂中的以太,不断地被提及,-贯穿于文艺复兴的始终，当然--是可想见的最完美的物质。
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Living in Florence, the center of the Renaissance at the height of the Renaissance, Machiavelli wished to do for politics what his contemporaries, like Leonardo da Vinci and Michelangelo, had done for art and sculpture.
住在佛罗伦萨，这个文艺复兴时期的核心,且是在文艺复兴的鼎盛时期，马奇亚维利想在政治上,达到像同辈，如达文西和米开朗基罗，于艺术与雕刻方面的成就。
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Now, the Renaissance city-states of Italy had relatively efficient administrations, to be sure.
有一点应该明确,文艺复兴时期时,意大利的城邦国家就已经出现了相对高效的官僚政府
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After all, the Russian Orthodox churchmen had not been interested in the Renaissance at all, not interested in the scientific revolution at all; and, by 1710, Russian students are being sent abroad to foreign universities, particularly in Italy, but also in France and in England.
毕竟,对俄国东正教的教士们来说,他们对文艺复兴一点兴趣也没有,也不关心科学上的革命,在一七一零年,俄国开始派大学生外出深造,主要是去意大利,当然法国和英国的都有
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They are steeped in the entire literary tradition of the underworld journey that stretches from The Odyssey of Homer up through Virgil's Aeneid, and of course up through all of the Renaissance romance epics.
它们被浸泡在整套文学传统中,穿越了从荷马的《奥德赛》上升到,维吉尔的《埃涅阿斯纪》的地下之旅，当然它也经历了所有文艺复兴时期的浪漫史诗。
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And as in all of these early lyrics, Jove conventionally throughout the Renaissance is used as a name within these classical fictions to signify the Christian God.
在早期的抒情诗里，贯穿文艺复兴的始终,丘比特在传统意义上意在，在众多的古典神话中,使上帝意象化，符号化。
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This is a kind of literary self-consciousness that we're all familiar with.
这是一种文艺上的自我认知,我们对此都很熟悉。
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At the same time, he fears that being a poet means -and this is a fear that literate young men and women have to this very day -- to be a poet means in some way not to be acting responsibly or politically.
与此同时，他也担忧成为一个诗人意味着,这是直到今天文青和文艺女青们共有的一种担忧,成为一个诗人某种意义上,意味着不能负责地践行政治行为。
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