• We're off because our downbeats, our strong pulses always have to come on the first part of the bar, this note.

    我们做错了,因为我们的重,我们的强,总是在每个小节的第一的那个

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  • But he brings, in effect, the sound of the downbeat in a beat early, gives it a little bit of pep there at that particular point.

    但是他,事实上,把强提前了一,在这个位置添加了一丝刺激

    耶鲁公开课 - 聆听音乐课程节选

  • Well,you can just--an engineer will just sit there and isolate that second of sound and then give a "times three" command and "boom," well,look at Pavarotti hold out that note.

    嗯,你可以想象,工程师会只坐在那里,分离出的第二个声,然后给了三命令和砰“,好吧,看帕瓦罗蒂能拖出那个

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  • And all of those long notes are coming on the downbeat so that's how we start to hear that as a downbeat and that's how we know to make our hand go down at that point so that's one way.

    所有的长都出现在重上,这就是我们怎么判断出重,如何判断出该什么时候把手往下摆的,所以那是一条途径

    耶鲁公开课 - 聆听音乐课程节选

  • He brings his opening note, that F-sharp, in a beat early.

    他把他的起始,升F,提前一

    耶鲁公开课 - 聆听音乐课程节选

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