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Its difficulty lies in Milton's tendency in this poem to seek out what Dr. Johnson wonderfully calls remote allusions.
诗的难点在于弥尔顿想要在诗中极力追求,被约翰逊绝妙地称为不切实际的幻想的倾向。
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That's "The Magi"; again, a visionary poem where Yeats is saying, "I see, I see in my mind's eye."
还是《东方三贤》,一首幻想诗，此刻，正如我时时在内心中所见“
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Here I paused in my fiction to shield my eyes and stanch the arrow-straight tracks clawed down my cheek.
飞箭在我脸上笔直地犁出了一条伤口，我停止了幻想,遮住眼睛，赶忙去止血。
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I mentioned in the last lecture that the famous flower passage here of course is -- this is pure fantasy.
我在上次上课时说过，这段非常著名的花之段落,是一种纯粹的幻想。
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Now if he was too stupid to have it, then of course he would have been liberated into the realm of action.
如果他因为太愚昧而不能有这种幻想，那么当然他能自由行动。
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In the movie, in the film, the characters are disillusioned with the age and they die.
在电影中，角色对于年岁都不抱幻想,他们死去了。
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Suddenly the vision begins to transform and he begins to hear the voice of Paul, "Thrice was I beaten, twice was I imprisoned, in shipwrecks often, in peril often."
突然之间，视觉的幻想开始改变,他听到了保罗的声音，“我被人打过三回，囚禁两次，经常受苦受难“
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Julian Barnes This is the sort of thing that Julian Barnes basically imagines in the chapter "The Dream" that I had you take a look at.
正像,在《梦境》那章中幻想的那样“,我曾安排你们阅读。
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He provokes his brothers with his delusions of grandeur.
他用华美的幻想激怒了兄弟们。
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And many have imagined," one thinks here of Plato, perhaps, but also to Christianity" Many have imagined republics and principalities that have never been seen " or known to exist in truth.
因为已有太多的梦想家“,其中一人即柏拉图，但也可能是基督教“,“已有太多对共和,与君权的幻想,而那从来都未真实地存在。
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You can very quickly drive yourself nuts by sitting down, thinking, oh, I can write this program, no sweat, and then you write it and then there's a tiny little mistake here, but then there's a tiny little mistake here and here, and all of these stupid little things cascade until you try running your program, and the thing just doesn't work.
如果你只是仅仅干坐着，不费吹灰之力，凭空幻想着我可以把这个项目搞定，你会想地发疯的，也许你会写出一点东西出来，可能会有一点点错误,紧接着这或那又出现一点小错误，这些小错误一点一点地堆积了起来,直到你开始运行你整个项目，你会发现这堆东西根本就不工作。
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If in the catalog imagination is awakened, this is what it can then do for Richard.
如这里出现了幻想，这是理查的缘故。
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It's a disillusioned and self-consciously ironic promise of salvation, of wholeness.
这是一种幻想破灭的，不自然的，讽刺的,拯救和完整的希望。
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Now I submit that the Lady would appear to be less in control of her fantasies than she is of her rigorously disciplined behavior.
现在我认为,小姐会试着不被自己的幻想控制,因为她有着很强的自律能力。
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I added a paragraph to the body of the epilogue expanding this notion.
抱有幻想,并且，我在结尾部分。
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Still one has the illusion of freedom."
但是仍会幻想自由“
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To think about which one of these is the key to personal identity, we need to think about the cases maybe somewhat fantastical science fictioning in which they come apart.
想要思考哪一个,才是人格同一性的关键,就必须构思一些更奇妙的案例,得用科学幻想把这些理论独立开。
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There are some important signs, I think, especially in the first two books of Paradise Lost of what we can think of as Milton's - it's a literary fantasy, a literary fantasy of forgetfulness.
我认为有一些重要的迹象，尤其是在,《失乐园》的前两册书中,从那里我们可以思考弥尔顿之所想,这是一次对于遗忘的文学幻想。
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Look at line fifty-five: "Ay me, I fondly dream! / ?" Had ye been there -- for what could that have done?"
看第55行：“哎，我啊！，我在痴呆的幻想/,如果你们女神们在那儿，又能怎样呢“
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The poem identifies also cold and passion with dawn the moment of awakening, which is also a moment of coming into reality from dream and sleep.
诗歌还将黎明的寒冷与激情,比作一种觉醒时刻,从睡梦和幻想回到现实的时刻。
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Milton's pushing here toward a fantasy of physical invulnerability imagining an alternative -- this is science fiction an alternative model of bodily configuration that would render impossible the all-too-easy quenching of the tender eyeballs.
弥尔顿在这幻想着人的身体可以刀枪不入,他在想象一个另类的-这只是科幻,他在想象一个另类的身体构造模型,这样脆弱的眼球,就不会轻易受到伤害。
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We looked at its relation to the new career that John Milton ended up assuming in the late 1630s: this new career as a polemical writer of political prose.
我们研究了它与17世纪30年代末,弥尔顿最终以幻想告终的新事业：,这个写政治散文的宣传性作家的新事业。
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There are other fantasies at work here, obviously.
很明显在这部分还有别的幻想。
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For days I had dreamed about a huge, white boat floating on a vast body of water, but when my mother took me down to the levee on the day of leaving, I saw a tiny, dirty boat that was not at all like the boat I had imagined.
那些天我总是幻想着一艘,巨大的白船徜徉在宽阔的河上，但当出发那天,妈妈将我带到岸边时，我只看到一只又小又脏的船,完全不是我想的那样，“
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And while it would be ridiculous for us to read the entire mask as the poet's own completely unfettered autobiographical fantasy, a Miltonic set of interests and a Miltonic set of anxieties charging and fueling this work.
虽然要我们读完整篇文章有点荒谬,因为诗人的自传幻想太无拘无束了，这个作品有弥尔顿式的嗜好,和弥尔顿式的焦虑控诉及刺激因素。
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It's an allusion that has everything to do with Milton's own sense of his unreadiness, and I'm thinking of that. Oh, it's just -- it's wonderful, that strange moment that happens fairly early on in the poem.
这是一个和弥尔顿自身的迟疑感,息息相关的幻想，我认为，就诗歌创作的早期而言，这是非常美妙的。
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Like Milton, Satan is in the business of demystifying power, of exposing political or cultural power as something that is not simply inherently there or naturally there.
正如弥尔顿一样，撒旦也是要揭开力量被神化的幻想，向人们揭露政治或文化力量并不是,与生俱来自然而然的存在的。
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He says, "Therefore, don't be like me without the memory of that illusion.
他说：“因此不要像我一样失去了对自由的幻想。
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Now the surest sign of a hurdle is one of those pointed literary allusions that Milton makes in Lycidas, one of those remote allusions that Johnson had complained about.
如今关于这道坎的最确定无疑的迹象就是,他在里作出的那些文学臆想,即约翰逊曾经抱怨过的那些不切实际的幻想。
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