So this one happens to begin with a sort of dominant chord.

所以这段是从某种属音和弦开始的。

耶鲁公开课 - 聆听音乐课程节选

So if you hear two chords rocking, it's probably tonic and dominant.

如果你听到有两个和弦，这有可能是主音和属音。

耶鲁公开课 - 聆听音乐课程节选

We've got some chords set out and we're going to-- we've got some chords set out here and we're in the key of C at this point, and we're going to hear Beethoven go to a tonic chord, then a sub-dominant chord, then a tonic chord, then a dominant chord and so on.

我们看到有一些和弦-,而我们现在在C调的位置上，然后听贝多芬的主音和弦，然后是次属音和弦，然后是主音和弦，接着是属音和弦，如此往复。

耶鲁公开课 - 聆听音乐课程节选

So we can build triads on each of the members of the scale, and we said that some of these chords tend to be used a lot more than others, that the tonic is very important, the dominant is important, the sub-dominant right next to and below the dominant is important, and we're going to be talking about the VI chord today.

那么我们能够在音阶的各个音上建立三和弦，而且我们说过有些和弦将会比其它的运用更为普遍，基音，I和弦，属音，V和弦，都很重要，紧靠属音的下属音也很重要，我们今天就要讲讲VI和弦。

耶鲁公开课 - 聆听音乐课程节选