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Langston Hughes's poetry comes out of this experience in a community of black intellectuals and artists it created specifically in Harlem.
休斯的诗歌灵感来源于他曾经在一个,有着大量黑人知识分子和艺术家的社区的居住经验,在哈莱姆居住时的影响尤为明显。
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and be able to do, you know, sell his artwork and make a living that way,
在这儿，他可以卖他的艺术作品，并以此谋生，
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His discovery of Mencken using words as weapons in a political sense is a very powerful moment for him in his intellectual development.
门肯在政治领域以唇当剑,的艺术让他受益非浅,这种主动进取。
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Significantly, this picture of Yeats as King Goll was used as an illustration for his first appearance in an English periodical a magazine of art and ideas called The Leisure Hour.
叶芝扮作郭尔王的这幅画,首先出现在一份英国艺术和思想,期刊休闲时刻上，作为他首次,公开亮相，这很重要。
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He's investing his rhetorical talent in an art that's actually doing something.
他是在艺术中发挥他华丽的词藻,来确实的做一些实事。
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That's not what Welles wanted He wanted to examine the myth of the past, even the rest of being a little nostalgic about the whole stuff, and to build the work of art, so we can live with that.
这不是威尔斯想要做的,他想检验过去之谜，甚至对这一切,和创作艺术作品，有一点怀念,所以我们可以生活在他的艺术里。
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This also, by the way, gets him interested in Baroque and these kinds of Baroque masquerades that he had back in Moscow and then in St. Petersburg as well.
这也同时,使他对巴洛克艺术有兴趣,他在莫斯科有许多巴洛克风格的面具,后来在圣彼得堡也有
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Up a trackless slope climbs the master artist, and at the top, on a windy ridge, whom do you think he meets?
伟大的艺术家在那无路可寻的山峰上攀登，他登上山顶，迎风而立，你们猜他遇到了谁？
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This is 1913, Pound in London, styling himself, isn't he, after those Renaissance artists and poets whom he would write about, translate in this period.
这是1913年庞德在伦敦，图如其人，不是吗？,这是在他所要写到的那些文艺复兴时期的艺术家，和诗人的思想被很好的表达出之后拍摄的。
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But what of it? Think as long as you can though the artist throw out the negativism in reality by means of his art. And so he ends up with this very optimistic point of view.
但这有什么关系呢？，好好地想一想,尽管这个艺术家在现实中通过艺术,驱逐了消极主义,因此他最终形成了这种乐观的观点。
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So that's very sad, that part of his art was very very sad. But I still, I feel pathetic as I say in the last pages or so, but I never lost admire of his fortitude in going on and doing as much as he did.
这太令人伤感了,他的艺术也是很伤感的，我在书里最后几页表示了对他的同情，但是我,从来没有停止崇敬他,坚持不懈地做了这么多的精神。
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When Yeats aestheticizes the political, he makes it moving, moving in the literal sense of, I think, emotionally engaging and cathartic.
叶芝将政治艺术化时，他使之变得感人，在文字上很感人，我想它使人情绪感染，灵魂净化。
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And so Richard is learning a grammar of race even while he tries to work out how to use language as a source of power in his family.
所以理查在学习语言的艺术,虽局限于种族,就是他在家里受尽磨难时也在学习语言的魔力。
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This is one of the events, I think, that Yeats is thinking about in "The Fisherman" when he speaks of "great Art beaten down."
这就是叶芝，我想，在《打鱼人》里想法之一“,当他说，伟大的艺术败了“
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Or, he doesn't say it; his autobiographical hero says it: "Any genuinely new trend in art is a knight's move, a change of shadows, a shift that displaces the mirror." Okay.
或者他没讲，他是在自传《英雄》中提到了：,“艺术上任何一个全新的趋势都是迂回前进的，是一种影子的改变，一个转移镜子的变化“
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