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If so,how many chords are involved in this chord change and are they changing at a regular or irregular rate?
是否有和弦的转变，这次和弦转变一共用了多少和弦,他们的变化率是规则还是不规则的？
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Well, the piano is just playing chords, playing them in octave successions, and we'll talk about that a little bit more too.
钢琴弹奏了和弦,一连串的八度音,这部分,我们今后也会继续探讨
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They're these building blocks that support the melody and they have to change for that melody to be consonant all the time.
这些和弦是旋律的基础,和弦的变化必须和旋律保持协调一致
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So because so much popular music and particularly rock music has those chords in root position we can track them more readily.
因为很多流行音乐尤其是摇滚乐会在原位上添加这样的和弦,这样听起来会比较悦耳。
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You notice at the beginning one-two, At the beginning these chords are holding for four measures or a total of eight beats.
注意在开头，在开始的部分，和弦持续了4小节也就是8拍。
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These other instruments are filling in these things at various spots to produce this aggregate of the chord.
这些不同的乐器在不同的点上聚合成了一个和弦。
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If one chord holds twice as long or only half as long, then we have an irregular harmonic change--irregular rate of harmonic change.
如果某一个和弦持续的时间是其他和弦的两倍或者只有一半，这就是不规则的和声改变。
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We're just going to watch and listen to--maybe even sing along with--the bass as he changes chords.
我们来听听看看，也可以跟着一起唱，看看低音是怎么与和弦一起变化的。
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The first of the triad--this is a term that we'll be going over today--is called the what?
该和弦的第一个音，这个术语我们今天将会讲解，叫做什么？
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Now just working with the four-note motive here-- A strange little dissonant chord there resolving to consonance.
现在四音符的动机出现,这有一段有点不和谐的和弦,解构成和谐音
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It doesn't really matter but notice that whenever the chords are changing they're changing on down beat.
这倒无所谓,不过注意一下,和弦变化的时候,往往都是在重拍上变化的
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Most frequently, chord changes come on the downbeat so composers signal to us in a fourth way the downbeat by means of chord change.
通常,和弦的变化都在重拍上,所以作曲家们用这第四种途径,通过和弦的变化告诉我们重拍的位置
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They're all just doing their own thing in the context of the harmonies that are playing out here, and it's just magical I think.
它们在和弦的背景下,进行各自的演奏,而我觉得它是奇迹
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See if you can determine how many chords we have here--whether we have a chord change.
看看你能不能听出这里面有多少有多少和弦，是否有和弦的转变。
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we've got this idea of major chords and minor chords so let me ask you this.
我们已经引出了大和弦和小和弦的概念,那么我要问你们
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How sweet it is. Okay So that's sweet-sounding homophonic texture, mostly just chords. Thanks, Lynda.
多甜美啊,好,这就是甜美的主音织体,大多数只是和弦,谢谢,琳达
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A sequence of chords that sound good together, kind of make sense together; we could say that sort of march along in a purposeful fashion.
放到一起好听的一组和弦，在一起有意义的和弦，我们也可以把它说成一组和弦有目的的行进。
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And these tree trunks were the chords and at the base of each of these chords at least conceptually, theoretically, is this thing called the root.
这些树干就是和弦，而每个和弦的底部，从理论上说，就是被称为根的东西。
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We're going to focus now on some passages where we can do it, and we're going to see how Beethoven is setting up some chord progressions here.
我们现在准备将注意力集中到我们可以找到的那些乐章上，来看看贝多芬如何进行和弦的。
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By regular rate we mean that the amount of time that each chord holds is exactly the same; every chord holds for the same length of time.
如果变化频率规则，那么和声中每个和弦持续的时间长度是完全相同的;,每个和弦都持续同样长的时间。
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Every time they're changing your hand is going down so chord changes may be the most powerful of all of these aspects of where the down beat is.
他们变化的时候你的手势都是向下的,所以在所有的途径当中通过和弦的变化,来判断重拍在哪儿可能是最有效的方法
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So we've got four chords operating here and they're changing regularly.
这一段作曲家一共调用4个不同的和弦，它们不断有规则地改变。
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So it has a kind of antecedent-consequent phrase structure with the chord.
这里像是一个前后分句的结构，配上和弦。
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And once again we, our ears,hear this aggregate of sound and then we say, "Oh,it's got that,that,that,that," and we extrapolate out of that information that it is this particular chord.
然后再来听到这样的声音的聚合，然后我们可以说，“哦，到了那里，那里，那里，那里”,然后我们能够推断出这就是我们所指的那个和弦。
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It was regular and it happened to involve four chords.
这是规则的，一共四组和弦发生了规则的改变。
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Can you identify any chords in this particular piece?"
你能识别出这一段的几个和弦吗
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But where they change oftentimes is on the downbeat.
而和弦的变化往往都在重拍上
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A major chord or a minor chord as opposed to?
大和弦或者小和弦是相互对立的吗
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What we're working with here are the same chords.
我们现在研究的完全是同一个和弦。
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