• But then next time it will be a two-hour movie, Citizen Kane so that the course is very compressed.

    下次课会是一部两小时的电影,《公民凯恩》,所以上课时间很紧。

    麻省理工公开课 - 电影哲学课程节选

  • In Citizen Kane, sort of myth of the past is sort of wonderful, perfect childhood playing the snow.

    在《公民凯恩》中,过去之谜很精彩,完美的童年,像小孩在玩雪。

    麻省理工公开课 - 电影哲学课程节选

  • The scripts, I'm surprised these on roles performances on Citizn Kane and I'm surprised he should be stagefright performing in front of camera.

    剧本,我对《公民凯恩》演出,中的角色很惊讶,我也对,他在镜头前的怯场,感到惊讶。

    麻省理工公开课 - 电影哲学课程节选

  • For one thing, he didn't invent a sort of image, he invented a story wrote and collaborated on the plot of Citizen Kane.

    他并没有创造一种形象,他在《公民凯恩》的情节中,创造了一种角色的合作关系。

    麻省理工公开课 - 电影哲学课程节选

  • I think it's surprising that he has stagefright or someone in his business performances in Citizen Kane.

    令我惊讶的是他有,怯场的问题,当有人在他,《公民凯恩》商业演出的时候。

    麻省理工公开课 - 电影哲学课程节选

  • An honest picture of Kane's life inadequate? inadequate ? in the other movie or in this movie?

    一个真实的凯恩人生的图像,部分的?对,是在别处还是这部电影里?

    麻省理工公开课 - 电影哲学课程节选

  • In both movies, Magnificent Amberson and Citizen Kane, that sort of tragedy that changes the past. Now you have the reality which is sort of bleaker.

    在两部电影中,《安巴逊家族》和,《公民凯恩》,都有种悲剧的概念,改变了过去,现在你觉得,现实有点黯淡。

    麻省理工公开课 - 电影哲学课程节选

  • And he never continue, he never went on with music after that. As I mentioned in the chapter, he did write the song of Mr. Kane.

    在那之后,他没有继续他的,音乐事业,我在书的,那一节中提过,他写了《公民凯恩》的配乐。

    麻省理工公开课 - 电影哲学课程节选

  • And he denied that. He said my mother was nothing like Kane's father.

    他否认了,他说,我母亲不像凯恩的父亲。

    麻省理工公开课 - 电影哲学课程节选

  • Well, it has a lot of senses. But overall, Citizen Kane.

    可以多方面考量,但总体说,是《公民凯恩

    麻省理工公开课 - 电影哲学课程节选

  • and Mr. Kane says, "I'm gonna buy them all, whatever.

    凯恩先生说,我无论如何都会买下的。

    麻省理工公开课 - 电影哲学课程节选

  • And I say something about Citizen Kane but go beyond it, so I thought this would be a good time in your life for you to see it or see it again.

    我不仅要说《公民凯恩》,还要说别的,我认为这会是你们人生中的美好时光,你们去看这个电影或者再一次看。

    麻省理工公开课 - 电影哲学课程节选

  • Well, was in Citizen Kane? In his documentary?

    是在《公民凯恩》里,还是在他的纪录片里?

    麻省理工公开课 - 电影哲学课程节选

  • I think the Citizen Kane overall. -is better.

    总的来说,我认为是《公民凯恩

    麻省理工公开课 - 电影哲学课程节选

  • How many of you have seen Citizen Kane?

    你们中有多少人看过《公民凯恩

    麻省理工公开课 - 电影哲学课程节选

  • Between Citizen Kane and -Mitchell, yes.

    在《公民凯恩》和……,-米歇尔,你说。

    麻省理工公开课 - 电影哲学课程节选

  • Citizen Kane and Magnificent Ambersons.

    公民凯恩》和《安巴逊家族》

    麻省理工公开课 - 电影哲学课程节选

  • It's all seen from her point of view and at a distance And then somebody is knocking at the door and breaking in, and that's Kane And then there's a close-up of Kane leaning over the bed ? Right?

    都是从苏珊的角度来拍的,镜头比较远,先是有人敲门,那人闯了进来,是凯恩,然后有个对凯恩,俯在床头的特写,对么?

    麻省理工公开课 - 电影哲学课程节选

  • Welles said, forgive me for repeating myself from a previous class, Welles said the problem with Citizen Kane is that it just look like a young film maker trying to set proof to the world that he can make movies. That's exactly what it was.

    请原谅我,又要重复上次课上的话,威尔斯说,《公民凯恩》的问题在于,它看起来就像是一个年轻的电影制作人,试图去向世界证明,他能够做电影,的确是这样。

    麻省理工公开课 - 电影哲学课程节选

  • I would've thought, given the evidence of what Bogdanovich says in that documentary, for instance, if the 4 to 5 minutes has not been cut, it might have been better than Citizen Kane, and maybe one of the few greatest movies that he ever made, maybe the greatest movie, who knows.

    举个例子,通过博格达诺维奇,在纪录片中的讲述,如果那45分钟,没有被剪,它可能会比,《公民凯恩》要好,也可能是,他最好的几部电影之一,也可能是最好的,谁知道呢。

    麻省理工公开课 - 电影哲学课程节选

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