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For example,I said,Colossians I don't think is written by Paul, but by a disciple of Paul,maybe after his death.
我觉得歌罗西书并非保罗所写，而可能是保罗死后，他的一个信徒所写。
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And so... just moved down here to start that, I've been writing my own songs and
然后，所以……我就搬到这儿开始玩摇滚，我一直以来都在写歌，
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You can go buy a score of the Beatles, for example--although they didn't design this initially with music, but after the fact,people sort of listen to it and make written-- put in written form what had originally been just an aurally conceived artistic statement.
你完全可以去，比如说买一些披头士的乐谱，但是他们当初写歌的时候并没有想用乐谱的形式传播，事实是人们听了他们的歌，再把它们写下来-,人们只是把一项为听觉设计的艺术品用笔记录下来。
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Milton naturally wrote his friend letters in impeccable Latin verse, and this one he seems to have composed almost immediately after having written, having completed,the Nativity Ode.
弥尔顿用毫无瑕疵的拉丁文很自然的给朋友写信，而且这首诗,是在弥尔顿一写完《圣诞清晨歌》,就拿去排版的。
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He was long in choosing the subject of his heroic song and, as we know from all of -- and we've encountered a number of them - all of those protestations of delay Milton began his epic late.
他久久未能确定他要写的英雄之歌的主题，这我们从从弥尔顿多次声言,自己的史诗动笔很晚就能看出。
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Milton clearly wants us to know that this Nativity Ode was written by a young Londoner in 1629, but it's a poem that is at the same time deliverable to the infant Christ by some extraordinary violation, of course, of all of the established laws of temporal sequence.
显然弥尔顿想让我们了解这首《圣诞清晨歌》,是在1629由一位伦敦年轻人写的，但是它同时也是一首,通过非同寻常的方法能够交到圣婴手里的诗，当然这就需要他违反现有的一系列法律。
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So Milton implies to Diodati that he isn't yet up to the task of epic, but as he describes the Nativity Ode that he's just written, it's almost as if he considers it something of a mini-epic.
所以弥尔顿暗示迪奥达蒂自己还不能完成创作史诗的任务，但他提到了他刚写完的《圣诞清晨歌》,好像这就是一篇迷你史诗。
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There's also an important and, I think, a very real sense in which Milton wanted to make it seem and obviously this is a much more difficult feat wanted to make it seem as if the Nativity Ode were the first poem that anyone had written.
我还有一种强烈的感觉,弥尔顿想让人觉得,显然这很困难,想使《圣诞清晨歌》看上去像,任何一个人写的第一首诗。
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