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Well, that's a beat of basically a duple meter with a triple subdivision, but we're not getting into triple subdivisions here.
这就是个典型的二拍子,伴随一个三拍子的进一步划分,但我们这里不讨论三拍子的进一步划分
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So they'd be going along in this fashion let's say it's duple- one-two, two-two, three-two, four-two.
于是他们便这样做,如果是二拍子的,那就是,一-二,二-二,三-二,四-二
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A lot of what we were doing today is very straightforward, the idea of duple versus triple meter, but most modulations we don't usually hear.
我们今天听的很多音乐都没有起伏,包括二拍子,三拍子节奏,但是我们很少听到转调
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We're interested only really in two things: One, can you differentiate between duple and triple meter; and two, can you recognize some very basic rhythmic patterns?
我们这里只关注两件事,一,你能不能区分两拍子和三拍子,二,你能不能识别一些简单的基本节奏形式
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And if you hear a triple, your step is this: down-up-up, down-up-up, down-up-up, down-up-up.
听到三拍子时,这样做,强,弱,弱
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Occasionally, you get things written in triple meter and in a minor key--minor key.
偶尔,有一些是由三拍子,和小调组成
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I don't think they were thinking of that in terms of triple meter.
我不觉得,他们是会按三拍子来的
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We'll coordinate it better this way and just conduct this in three.
我们这样可以更好地配合,用三拍子指挥
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Some people are going and in this course we would know whether you're hearing duple or triple based on some other information so don't worry about if you're doing .
小部分人是,在本课程中我们会知道,你们是否可以根据其他的信息,辨认出这是三拍子或者二拍子,所以也不要担心,哪怕你这样做了
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We can take a particular-- Here I'm conducting in three: one, two, three, one, two, three, one, two, three, one, two, three, one, two, three, and obviously I'm accelerating there.
这里有个例子,我指挥三拍子,一二三,一二三,一二三,一二三,一二三,显然的,我在这里加速了
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We did duple and now we've got to do triple.
我们分析了二拍子,现在我们分析下三拍子
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So is this in duple meter or triple meter?
那么,这是二拍子的还是三拍子的
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Let's do a triple meter one. Here we go.
再来一个三拍子的,开始
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Of course, it's in minor and the voices will come in, but the bass is going, sort of plodding along in a basic duple but with a triple subdivision underneath of that.
当然,它是小调的,人声将会进入,但低音是这样,按基本的二拍子缓慢地行进,但在那下面还用了一个三连音的节奏细分
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How many think it's in triple meter? Okay.
多少人认为是三拍子呢,很好
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Triple. Yeah. You know the setup here.
三拍子,答对了,你们知道曲子的结构
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We were talking about the subdivision of that pulse, the organizing of that pulse into meters, and that we had this capacity to indicate what the meter was by these numbers: two-four, and three-four for duple and triple meter.
我们还讲到律动的进一步划分,将律动组织成拍子,与此同时我们能够用一些数字,来表示不同的拍子,比如,用二四拍和三四拍表示二拍子和三拍子
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She's going to warm us up and we're going to get up and we're going to get into it here right off the bat in our exploration of duple and triple meter so here we go, Lynda Paul.
她来调动大家的情绪,然后我们站起来,我们将要亲身体会一下,什么是二拍子和三拍子,那开始吧,有请琳达·保罗
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It's kind of--maybe a little shape over to the right down, up, down, up, that kind of thing 543 00:27:52,506 --> 00:27:55,776 and for triple we do down, over, up down, over, up, down, over, up. Okay?
这可能做得不太像,下,上,下,上,那种手势三拍子的时候我们就是下,平,上,下,平,上,下,平,上
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This would be? Well let's think through this in one additional way and that is--notice that in duple meter we have a strong beat, right "Strong, weak, strong, weak, strong, weak, strong weak" in that sense or if we have triple it would be "Strong, weak, weak, strong, weak, weak."
是什么呢,我们用另一种方式来想,这个,你们知道二拍子,有很强的鼓点,对吧,强,弱,强,弱,强,弱,强,弱,那在这种情况下如果我们拿一段三拍子,那就会是,强,弱,弱,强,弱,弱
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