• "So,you can't really just say she was a 19th century writer.

    VOA: standard.2010.06.22

  • You've had a hard life. That hard life, you think, is really what made you into the writer you are.

    你的生活很艰难,你觉得正是那种艰难让你成为了作家。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Even if they are writer or an artist or whatever you are doing, I think it's a very inspiring place.

    即使他们是作家或艺术家,无论你从事什么行业,我想这都是一个非常启发人心的地方。

    自然历史博物馆 - SpeakingMax英语口语达人

  • Now, Ken Kesey, some of you probably know, was a sort of performer, writer, not really an activist.

    你们可能知道,他算是一个表演家、作家,不过不是一个积极分子。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • The writer says,"When this letter has been read among you, have it read,also,in the church of the Laodiceans, and see that you read,also,the letter from Laodicea."

    写信人说“你们看完此书信后,也让老底嘉教会的信徒阅读,你们也要看老底嘉教会送来的书信“

    耶鲁公开课 - 新约课程节选

  • And when you come to read it, what you're putting yourself in my position, as it were, and you are partaking of precisely the same activity as I "the first writer-reader" was.

    而当你阅读时,换句话说,当你代替了我的角色时,你的阅读活动其实和我这个,第一个作者与读者的活动相同。

    普林斯顿公开课 - 人性课程节选

  • And then lastly there's Allan Gurganus, that wonderful Modern Southern writer who wrote that book called The Oldest Confederate Widow Tells All, you know that bizarre it's a wonderful read.

    最后我们要讲下艾伦·古尔加努斯,一位杰出的当代南方作家,他写了本书叫做,《往日情怀》,名字听起来很古怪,却是一本很值得一看的书

    耶鲁公开课 - 美国内战与重建课程节选

  • Can you give us any advice for those who want to become a writer?

    你能给那些想成为作家的人一些建议吗?

    在超市遇到的人 - SpeakingMax英语口语达人

  • You said you're a writer. How did you start writing?

    你说你是作家。你是怎么开始写作的?

    在洛杉矶写作 - SpeakingMax英语口语达人

  • You're a writer. How do you sell your books?

    你是位作家。你都怎么卖你的书?

    美国的出版市场 - SpeakingMax英语口语达人

  • There is that desire much more explicitly in the writing of Jack Kerouac, the desire to replicate experience as you read, the feeling of having the experience that the writer wants you to have and that the writer himself has had.

    这种渴望在杰克凯鲁雅克的写作中表现得更明确,在你读他书的时候,想要重新体验,作者想要你体验的那种感觉,作者自己也有那种感觉。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • O'Connor, you may also know, has been understood as a religious writer.

    你们也许知道奥康纳一直以来,被视为一位宗教作家。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • This is a scene of whether you as a writer compromise yourself in the face of authority that resists what you want to say.

    场景是作者在面临权威坚持提出反对意见时,是否妥协你想要表达的内容。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • And my job as a writer is to stand in for you as a subsequent reader.

    作为一名作者,我的职责,是站在你们读者的角度上考虑问题。

    普林斯顿公开课 - 人性课程节选

  • Flannery O'Connor, as most of you probably know, is a Southern writer.

    正如大家所知,弗兰纳里,奥康纳是个南方作家。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • You're not going to have a writer spending a month on the representation of a barber from Kasbeam.

    这个作者才不会花一个月的时间,在如何表现一个从Kasbeam来的理发师上下功夫。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • She says that she has read a little bit of Kafka and "doesn't know what to make of him, but it makes you a bolder writer."

    她说她读一点点卡夫卡的作品,而且“不知道是什么造就了卡夫卡,但这可以让自己成为,一个更大胆的作家“

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Imagine that you are a writer.

    假象你是作家。

    耶鲁公开课 - 1945年后的美国小说课程节选

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