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"I love it that South Africans are just coming together as South Africans and saying 'Damn it, we've got our own people and it's an African World Cup, it's ours,it belongs to us' so why don't we use some of the magnificent talent that we've actually got?
VOA: standard.2010.05.05
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So we got some nice generalizations.
因此我们归纳出很好的结论。
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We got people from India, from France, some from England, though not so many.
我们有印度人、法国人、英格兰人，虽然人不多。
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Our country has got to turn to the world and say: "You know we made some real big mistakes.
美国需要告诉全世界：,我们铸成了大错。
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Well let me put up some real numbers and we'll see about how much the correspondence to what we've got here.
现在我们用真实的数据,来和我们的结论比对一下
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We got an easy one. Let's just for the heck of it I should have found some better examples before I tried this. No mutant spiders here.
我们有了个简单的数字,让我们以防万一,我应该在尝试这个之前找几个更好的例子。
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We could imagine a world like this where it's inevitable; everybody's got some date on it.
我们可以想象这样的一个世界;,每个人都会在某天死去这点是必然的。
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We're not going to get into that 'cause that takes us into heavy-duty music theory, but it's--if we don't have root position then we've got some other note of the triad in the bass, and we've got some kind of chord inversion, so that's what that particular term means up there.
我们就不深究这个问题了，这是一个冗长的音乐理论，但是如果没有了原位，三和弦的低音被另一个音所替代，这就是一种和弦转位，这就是这个词在这里的意思。
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But to translate this now to a language C, you've got some curly braces, you got an if, some parentheses, but now we're just building on some of the syntax we introduced before.
如果把它转换成C语言，你又会看到一些大括号啊，if啊，圆括号啊等等，我们只是借助,之前学过的语法规则。
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Suppose we've got some sort of radioactive atom, which has a certain chance of decaying.
假定我们有某种放射性原子,它们以一定的几率衰变
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And of course we've got some data to go with that.
而且当然我们还举了,一些数据来说明这些内容。
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We would be then reaching to the EU, and saying: "Look, you got some oil, and you've also got possibilities of developing alternative sources of energy, We'll work with you.
我们主动和欧盟交谈，你们有石油资源，你们还有可能,开发可替代能源资源，我们想和你们合作。
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We're working up farther and farther in these partials and we've got some of these notes right next to each other and they want to move to the stable notes so we're going to be hearing a lot of a note right above the tonic wanting to pull down to that tonic note.
我们进一步介绍了这些泛音,我们看到这些音符,彼此贴近,它们想要变成稳定的基音,所以,我们会听很多,高于基音的音符,想下行靠近这些基音
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We say that we have very very short lives, because after all right now I've got some memories that I didn't have 2 hours ago.
我们的人生非常短暂，我现在就有一些,我2小时前没有的记忆。
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It gives a sense of what this music is all--really all about and since, as we were saying, so much classical music doesn't have a text with it we've got to have some markers in there to know what the composer is trying to communicate to us.
让我们了解这段音乐想表达什么，就像我说的，大部分古典音乐并没有文字注解，而我们需要一些标记,来告诉我们作曲家想用这段音乐告诉我们什么。
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Now, you know, when we've got our deterministic hats on, we think to ourselves, "There's got to be some underlying causal explanation, some feature about the break-down atoms that explains why they broke down and that was missing from the non-break-down atoms that explains why they don't break down.
现在,你知道,当我们用决定论的观点去分析这个问题时,我们自己寻思着,这背后一定有某种具有,因果关系的解释,某种关于分裂原子的特性,能解释为什么它们分裂了,而由于这种特性不存在于未分裂的原子,因而解释了它们为什么不能分裂
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So now we've got some spare torsos.
我们就得到了一些空的躯体。
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We can still say the reason that we got the same personality in the normal case that some physical explanation of whether person, what houses the personality, but for all that, the key to personal identity is same personality.
我们还可以说清楚,在一般情况下如何得到,同样的人格，我们得弄清楚,是什么储存了人格,但是首先我们得认可,人格同一性的关键在于同样的人格。
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I can, oh, these have got some remnants which we really don't need.
我可以，哦,这里有些我们用不上的代码。
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Perhaps a mistake with some of the answers we got but one of our choice favorites was this one and it's actually fairly worth drawing one's attention to and that's this: I planned on taking the class as a freshman then convinced myself otherwise because I couldn't fit it into my workload.
得到的回答或许有的是错的,我们最喜欢的一个回答是这样的,值得我们注意一下：,我本打算大一就来上这节课,但却说服自己还是别去上了,因为我工作负荷满满的。
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We got to go C, D, some kind of E, F.
而是C,D,某种E,F
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We've got some chords set out and we're going to-- we've got some chords set out here and we're in the key of C at this point, and we're going to hear Beethoven go to a tonic chord, then a sub-dominant chord, then a tonic chord, then a dominant chord and so on.
我们看到有一些和弦-,而我们现在在C调的位置上，然后听贝多芬的主音和弦，然后是次属音和弦，然后是主音和弦，接着是属音和弦，如此往复。
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