So those are some remarks then on the differences and the similarities between de Man and Derrida.

关于德曼与德里达之间的,不同点和相同点，我要讲的就那些。

耶鲁公开课 - 文学理论导论课程节选

I'd like to start with a little more discussion of Derrida before we turn to de Man.

首先我想再谈谈德里达,然后再讨论德曼。

耶鲁公开课 - 文学理论导论课程节选

What both Derrida and de Man say about the difference when one thinks of language coming into being, from thinking about all those other things coming into being, is that language does not purport to stand outside of itself.

德里达和德曼都说的不同点,当一个人从其它所有事情的形成，想到语言的形成时，这个不同点是说语言并不会意图去站在它本身之外。

耶鲁公开课 - 文学理论导论课程节选

This is why in the last passage on your sheet from the interview with Stefano Rosso, de Man is willing to venture on a categorical distinction between his own work and that of his very close friend, Jacques Derrida.

那就解释了为什么在纸上的最后一段,选自斯蒂法诺，罗素的采访，德曼愿意在自己的作品与他的密友雅克，德里达的作品,之间一个绝对的差别上冒险。

耶鲁公开课 - 文学理论导论课程节选

But in the meantime it's probably on this occasion, once we accept them both as having come under the influence of the same form of linguistic thinking, to say a little bit about the similarities and differences that exist between Derrida and de Man.

但同时在这种场合下可能，一旦我们接受这俩概念，在受到同样的语言学思想的影响后,我们就能看到一些,德里达和德曼之间存在的相同点和不同点。

耶鲁公开课 - 文学理论导论课程节选

I will also look over my notes and see what I might say further about these troublesome terms and their relation to Derrida's understanding of language so that Tuesday our introduction will still have to do with Derrida and then we'll move into thinking about de Man.

我同时会看一下我的教案,来看看我怎样进一步介绍这些麻烦的术语,以及它们同德里达的语言的理解的关系,所以我们周二会继续讲德里达,这之后我们介绍会一下德曼。

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