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In such a world it seems writing poems is a kind of--well, even surviving is a kind of guilty privilege.
在这样的世界中，写诗看起来是一种，甚至幸存也是一种罪恶的特权。
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He says, "Poetry in our own time-- -- such is the complexity of the world we live in-- must be difficult."
他写道，“我们这一时代的诗-,正如我们生活着的世界-,让人费解“
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Meaning in Frost poems, as in the world that they evoke, has to be interpreted every day.
他的诗中的意义，就像世界唤起的一样，不得不每天都理解一遍。
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We want one epic cohesive story that we tell the world.
我们想告诉世界的是一个完整的历诗。
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The human body, the world of flesh and blood that we all inhabit, has in some way at the end of this poem reasserted itself.
人体，我们所居住着的血肉的世界，在这首诗的末尾似乎重新为自己做了宣言。
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A poem published after the Second World War, written about the post-war world.
这首诗发表在二战后，写的是战后的世界。
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Well, the poem is, as John Donne puts it, a little world made cunningly.
就像多恩说的那样，每首诗都是一个精心制造的小世界。
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This is a poem about bending and breaking, forms, the material givens of the world.
这是个关于曲折和中断的诗，形式，这个世界给我们的原料。
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The notion of autonomy, the notion of the freedom of the poem from any kind of dependence in the world, is something that is very easy to undermine critically.
自主的观念，世界上各种,独立的诗的自由，很容易被破坏。
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There is in Frost no God, no transcendental source of guidance or consolation, nothing out there in the world but the material conditions of our circumstances.
在弗罗斯特的诗里，没有上帝，没有卓越的指引和安慰，这个世界里什么都没有,除了我们生活环境的物质条件。
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