John Milton has made a mistake. He's made a literary mistake and, as I think all editors know, Spenser does not.
约翰·弥尔顿犯下了一个错误,他犯下了一个文学上的错误,而且我认为所有的编辑都知道,这个错误斯潘塞没犯过。
Let me take you back to the seventeenth century, up to the very beginning of the literary reception of John Milton.
让我把你们带回到17世纪,约翰·弥尔顿刚在文学领域为人所知的时候。
Now, probably the form of power that we most readily associated with John Milton involves his position at the dead center of the English literary canon.
我们最容易由约翰·弥尔顿,联想到的力量形式很可能,与他处在英国文学经典的中心位置有关。
Professor John Rogers: Milton is typically cited by literary historians as one of the first major English poets to praise in verse the institution of marriage.
约翰·罗格斯教授:文学家们说弥尔顿,是英国早期诗人中,赞美婚姻制度的一员。
He represents Cambridge University, the alma mater, where Edward King and John Milton had been students.
他代表剑桥大学,爱德华·金和约翰·弥尔顿的母校。
And you're getting to see something like an intimation of John Milton the published poet, a poet whose energies are going to be directed toward making his poems public.
你们看到约翰·弥尔顿的一点暗示,这位出版作品的诗人,他的能量将完全花费在出版自己的诗篇上。
This is reading from the packet assigned for today, and I'm going to ask you to do what you can to get through the biography of Milton in the packet, as well as the notes on Milton's poetry that we have from Dr. Samuel Johnson.
这是今天发的阅读材料里的,我要求你们尽量把材料里的,弥尔顿传记读一遍,还有,塞缪尔·约翰生博士为弥尔顿诗歌做的注释。
A writer like Mary Astell can employ Milton's revolutionary rhetoric to advance a cause to which John Milton himself would of course ; have had difficulty subscribing; a dead Milton could exercise a social power that had nothing whatsoever to do with the living Milton's own social views.
一个像玛丽·阿斯苔这样的作者可以用弥尔顿的革命性语言,来推动一项事业,一项约翰·弥尔顿本人当然很难,赞同的事业;,死去的弥尔顿竟然能够操纵与生前弥尔顿的社会观点,毫无关系的社会力量。
There's a wonderful work of literary criticism -- I mentioned it last time --on Milton's indebtedness to Spenser in the book by John Guillory called Poetic Authority.
有一篇很棒的文学评论-,上次我提到了--关于弥尔顿对Spenser的感激,在约翰·久乐锐所著《诗人权威》中。
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