It's as if Mary Astell were saying, "Well, Milton was on the right track. He simply didn't go far enough.

玛丽·阿斯苔似乎是在说：,“好吧，弥尔顿方向正确，只是行之不足。

耶鲁公开课 - 弥尔顿课程节选

Now it has to be said that Mary Astell's image of Milton is probably the product of a much closer reading of Paradise Lost than Lady Mary Chudleigh's was.

不得不说，玛丽·阿斯苔对弥尔顿有如此印象,很可能是因为她对《失乐园》的解读,比玛丽·恰德莱夫人的更加细致。

耶鲁公开课 - 弥尔顿课程节选

He's the very voice of traditional wisdom for some, as he was for Lady Mary Chudleigh.

对于一些人来说，正如对玛丽·恰德莱夫人，弥尔顿是传统智慧的发言人。

耶鲁公开课 - 弥尔顿课程节选

So Milton for Astell is hardly the embodiment of orthodoxy that he is for Lady Mary Chudleigh.

因此，对阿斯苔来说，弥尔顿不是那个,玛丽·恰德莱心目中代表正统的标志。

耶鲁公开课 - 弥尔顿课程节选

Like Lady Mary Chudleigh, Woolf holds up Milton as a powerful authority.

如同玛丽·恰德莱夫人，伍尔夫把弥尔顿当成有力的权威。

耶鲁公开课 - 弥尔顿课程节选

It's been said that to quote anybody is necessarily to misrepresent him, and this fact is obviously a very good thing for Lady Mary Chudleigh since Milton would certainly not himself have wanted to suggest that women are superior to men.

有这样一种说法，引用任何人的话都难免曲解其原意，很显然这对玛丽·恰德莱夫人的论证是有利的,因为弥尔顿的原意绝对不可能是说,女人的地位要高于男人。

耶鲁公开课 - 弥尔顿课程节选

A writer like Mary Astell can employ Milton's revolutionary rhetoric to advance a cause to which John Milton himself would of course ; have had difficulty subscribing; a dead Milton could exercise a social power that had nothing whatsoever to do with the living Milton's own social views.

一个像玛丽·阿斯苔这样的作者可以用弥尔顿的革命性语言,来推动一项事业，一项约翰·弥尔顿本人当然很难,赞同的事业;,死去的弥尔顿竟然能够操纵与生前弥尔顿的社会观点,毫无关系的社会力量。

耶鲁公开课 - 弥尔顿课程节选