I think now we can see why these lines about the autumnal leavesare so difficult for us to incorporate into a moral reading or a theological reading of the poem.
我们现在可以看到为什么,这些关于秋天的落叶的句子如此难以,与对这首诗的道德或者神学的理解相结合。
So these moments of landscape description offer up that consistently Christian-inflected theory of the universe, that sense of transcendence as structure, as something that's moving inexorably, that will take all time to complete.
通过这些景象的描述,我们可以看到一种,一直受到基督教影响的,关于宇宙的理论,这种理论以超自然的感觉为主体,就像一些不为人的意志而转移,需要我们穷其一生去完成的事。
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