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It's a huge book which is all about this short story by Balzac, "Sarrasine," that he begins this essay by quoting.
这本大部头的书都是在讲巴尔扎克的短篇小说《沙拉辛》的，在文章开头他引用道。
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It's in relation to all of these forms of lateness that we can best understand the opening invocation of Paradise Lost.
带着所有这些“晚“,我们才能很好的理解《失乐园》的开头。
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Anything is unnarratable if we don't have a sense of a beginning, a middle, and an end to bring to bear on it.
如果我们不仔细都不会注意到它有开头，经过和结果。
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Aristotle appears to give two different accounts in the opening pages of the book that you might pay attention to.
亚里士多德在其书开头前几页,给出了两种不同的说法,你们要多加留意。
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The majority of the sacrifices that are described in the opening chapters of Leviticus, in Leviticus 1 through 7, are voluntary sacrifices.
大部分祭品,在《利未记》的开头，第一章到第七章所提到的那些，都是自愿作为祭品的。
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And what makes it great is that he began with an interesting question.
但它很出色，因为,他以一个有趣的问题开头。
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You notice at the beginning one-two, At the beginning these chords are holding for four measures or a total of eight beats.
注意在开头，在开始的部分，和弦持续了4小节也就是8拍。
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And you saw some of the beginnings of an explanation offered in the reading by Schick and Vaughn.
你们可以看到希克和沃恩在阅读材料里,对某个解释做了一个开头
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PROFESSOR: I want to take a few minutes at the start of today's lecture to wrap up a few more things about debugging.
教授：我想在今天讲座的开头,再花几分钟讲完调试的剩余内容,然后我们再讲主要内容。
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I think I would want to scan that line as a bit of an odd beginning.
我觉得这是个很奇怪的开头。
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And I think of that front and back of the page as another kind of knight's move. You think you're looking at one thing, and you land on another.
这让我想到这页的开头和结尾都是一种迂回前进,你认为你正在看某样事物,事实上你在看另一个。
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So now let me actually reverse this and go back to the beginning.
所以现在让我们真正倒退,返回到开头。
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So that part of Locke, that beginning of 138, seems to support Ben's reading.
洛克在138节开头说的这几句，似乎支持了本的解读。
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I'll finish talking about these examples at the beginning of lecture on Tuesday.
下次周二的课开头我把剩下的例子讲完
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Now I spoke last time about the familiar sense of hesitation, that apology with which Milton had opened the elegy.
我要最后一次说明一下弥尔顿写在挽歌开头的，那句道歉，那种熟悉的犹疑感。
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Harold Bloom has written, and I think he's absolutely right, that Milton begins Paradise Lost with a powerful defense against lateness.
哈罗德·布卢姆写道，我认为他说得对极了，他说弥尔顿,在《失乐园》的开头对这些“晚“进行了有力的辩护。
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As in Sonnet Seven, Milton writes the first verse paragraph of this great poem, Lycidas -- the first fourteen lines - in essentially the form of a sonnet.
如同《十四行诗第七首》，弥尔顿写《利西达斯》,这首伟大的诗的开头--头14行时,-用的还是十四行诗的形式。
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Why does he begin with this? "I went down," "catabasis" a going down. The Greek word for this is catabasis.
他为何要以这句开头？，“我南降“,降的希腊文是。
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The first words or first line out of his mouth or the first lines are " "it is customary," he says.
他开头的前几个字,或前几行是,他说：，“按惯例。
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I want to quote from the beginning of Roland Barthes' essay, which I know I only suggested, but I'm simply going to quote the passage so you don't have to have read it, The Death of the Author.
我想引用罗兰，巴特文章开头的几句话，我只是推荐这篇文章，从中引用几句,所以你们不用事先读，这篇文章就是《作者之死》
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It's a poem which begins, "I have heard that hysterical women say they are sick of the palette and fiddle-bow, of poets that are always gay..."
诗的开头写道，我曾听见歇斯底里的女人们说,她们厌恶调色板和提琴弓，厌恶那些永远快乐的诗人们“
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Let's start with a little bit of classical music here and this engages questions one and two.
让我们以一段古典音乐作为开头吧,结合一两个小问题
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It says, well I'm going to print out first and last just so you can see it, and then I say, gee 2 if last minus first is less than 2, that is, if there's no more than two elements left in the list, then I can just check those two elements and return the answer.
然后它计算了尾点和开始点的差,如果小于2的话,也就是说数组中的元素小于等于，我对这两个元素进行比较,然后返回结果就可以了，否则的话，我们就去寻找中值点，注意它是怎么实现的,首先这个指向一个列表的开头。
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Start with a familiar fact, which I've already drawn your attention to a couple of times, that you can have a body that's dead.
我们以一个熟知的事实开头,我已经多次提到过,以死尸来说明
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.. What is it we might say look we've already got the beginning of an answer.
我们或许会说,现在我们已经有答案的开头了。
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Anything he writes is going to be forced, compelled - and with his forced fingers rude he violates the formal prosodic, the metrical, scheme of his elegy at its very opening.
他写什么都是被迫的，不得已而为之的,-用他这粗鲁的手指，他在这悼亡诗的一开头，就没能遵守写诗的韵律规范。
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One note for each gesture and we've just done a rhythmic dictation of the beginning of Musorgsky's "Great Gate of Kiev" From Pictures at an Exhibition.
每个动作一个音符,我们刚刚做完了,穆索尔斯基《图画展览会》的《基辅的城门》,开头部分的节奏听写
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