• So it's these two elements that Brooks is interested in in Freud and that he primarily does take from Freud.

    布鲁克斯对弗洛伊德感兴趣的地方正是这两个元素,它们也是布鲁克斯从弗洛伊德那里借鉴的最根本的思想。

    耶鲁公开课 - 文学理论导论课程节选

  • Yes, I work in Bloomingdale's. It's a very very famous store, I would say.

    可以。我在布鲁明戴尔百货公司上班。不得不说那是家非常非常有名的商店。

    在布鲁明戴尔百货 - SpeakingMax英语口语达人

  • How does all this work? Brooks believes that he can understand it, as we'll try to explain, in psychoanalytic terms.

    这些都是怎么实现的呢?,布鲁克斯确信自己可以,从精神分析的角度理解这些问题,我们马上要解释。

    耶鲁公开课 - 文学理论导论课程节选

  • Even though some defenders of that particular movement claim it didn't happen, like David Brooks tried to claim in The New York Times.

    尽管一些参与这些运动的人辩护,说事实并非如此,如戴维·布鲁克斯在《纽约时报》的文章

    耶鲁公开课 - 美国内战与重建课程节选

  • Brooks turned state's witness. Dudley and Stevens went to trial.

    布鲁克斯成了目击证人,达德利和斯蒂芬斯则成了被告。

    耶鲁公开课 - 公正课程节选

  • Yes, Mary J. Blige actually shops at Bloomingdale's, in White Plains.

    当然了,玛丽•布莱姬真的来过怀特普莱恩斯的布鲁明戴尔购过物。

    在布鲁明戴尔百货 - SpeakingMax英语口语达人

  • He was assassinated by conservative Senate forces-- - you know, Brutus and Cassius and others-- on the Ides of March, as you all know, March 15th, 44 BCE.

    恺撒最终被元老院保守派暗杀-,布鲁图斯,卡西乌斯为首的等人-,在3月15日这天,也就是众所周知的,公元前44年3月15日。

    耶鲁公开课 - 新约课程节选

  • In other words, Brooks is not interested in developing a theory of the author or a theory of character.

    换句话说,布鲁克斯不想展开对,作者或者角色的理论研究。

    耶鲁公开课 - 文学理论导论课程节选

  • - You open Brooks and you find yourself really apart perhaps-- I don't know how well all of you are acquainted with the texts of Freud.

    也许你们看布鲁克斯的作品时会觉得很头疼-,我不知道你们对弗洛伊德那几篇文章理解的如何了。

    耶鲁公开课 - 文学理论导论课程节选

  • Now this means, among other things, that Brooks is not anything like what we may spontaneously caricature perhaps as a traditional psychoanalytic critic.

    在其他方面,布鲁克斯并不是我们平时讽刺的,传统心理学批评家那样的人。

    耶鲁公开课 - 文学理论导论课程节选

  • We'll say a little bit about Beyond the Pleasure Principle, ; which is the crucial text for our purposes; but plainly apart from the influence of and the ideas borrowed from Freud, you'll find Brooks writing on what for you is pretty familiar turf.

    我想花一点点时间说说《超越快乐原则》,这篇文章对于我们今天理解主题至关重要;,但是如果不看从弗洛伊德那里借来的思想和影响外,布鲁克斯所写的对于你们来说应该会很熟悉。

    耶鲁公开课 - 文学理论导论课程节选

  • All right. In addition to the use of the relationship between plot and story, we also find Brooks using terms that are now, having read Jakobson and de Man, very familiar to us: the terms "metaphor" and "metonymy."

    好的,除了运用主题和故事之间的关系,布鲁克斯还会用到很多别的词,等我们读完雅各布森和德曼的作品后会觉得很熟悉:,比如,“比喻“,和,“转喻“

    耶鲁公开课 - 文学理论导论课程节选

  • There were four in the crew, Dudley was the captain, Stevens was the first mate, Brooks was a sailor, all men of excellent character or so the newspaper account tells us.

    全体船员一行四人,达德利是船长,斯蒂芬斯是大副,布鲁克斯是水手,都是品德高尚的人,至少报上是这么说的。

    耶鲁公开课 - 公正课程节选

  • Brooks refused. He didn't like the lottery idea.

    布鲁克斯拒绝了,他不赞成抽签。

    耶鲁公开课 - 公正课程节选

  • David Brooks is a revisionist.

    戴维·布鲁克斯是个修正主义者

    耶鲁公开课 - 美国内战与重建课程节选

  • Well, now maybe the important thing is to allow Brooks to comment on that so that you can see how he makes use of Freud's idea and move us a little bit closer to the application of these ideas to the structure of a literary plot or of a fictional plot.

    现在最重要的事是允许布鲁克斯对此加以评论,这样一来你们就能看到他是怎样运用弗洛伊德的观点,并且进一步将其运用于,文学情节或小说情节的结构中去。

    耶鲁公开课 - 文学理论导论课程节选

  • One way to put it, especially in nineteenth-century realism which particularly interests Brooks, is all these characters are just madly making bad object choices.

    一种解释的方式,用19世纪现实主义的观点来看,也就是布鲁克斯感兴趣的观点来看,就是小说中的人物在疯狂地做着错误的决定。

    耶鲁公开课 - 文学理论导论课程节选

  • The next day there was still no ship in sight so Dudley told Brooks to avert his gaze and he motioned to Stevens that the boy, Parker, had better be killed.

    又过了一天,依然没有船只的影子,于是达德利叫布鲁克斯转过头去,并示意斯蒂芬斯,最好杀掉派克。

    耶鲁公开课 - 公正课程节选

  • In any case, since Brooks does constantly use these terms, I have to overcome embarrassment and at least at times use them myself.

    无论如何,由于布鲁克斯来回来去地用这两个词,那我就必须不怕尴尬,至少也要自己运用一次,讲给你们听。

    耶鲁公开课 - 文学理论导论课程节选

  • Now Brooks then uses these terms in ways that should be familiar to us, as I say. We have now been amply exposed to them in reading Jakobson and de Man.

    而就想我之前说过的那样,布鲁克斯,用一种我们熟悉的方式运用这两个词,我们在读雅各布森和德曼的著作时已经充分见识过了。

    耶鲁公开课 - 文学理论导论课程节选

  • It's funny because Macy's owns Bloomingdale's.

    有趣的是,布鲁明戴尔本身就是梅西百货公司旗下的。

    在布鲁明戴尔百货 - SpeakingMax英语口语达人

  • That is a rather odd thing to think about, especially when Brooks goes so far as to say that he has a particular desire in mind.

    这想起来更奇怪,尤其是当布鲁克斯更加进一步说明,他脑子里有一个明确的愿望。

    耶鲁公开课 - 文学理论导论课程节选

  • Brooks emerged from his conscientious objection " to share in the gruesome bounty.

    虽然良心上极力拒绝,但布鲁克斯,最终还是加入了这骇人的“盛宴。

    耶鲁公开课 - 公正课程节选

  • Have you met celebrities in Bloomingdale's?

    你在布鲁明戴尔百货店见过名人吗?

    在布鲁明戴尔百货 - SpeakingMax英语口语达人

  • Okay, have to stop there--might add a word or two-- but on Thursday we turn, I'm afraid with a certain awkwardness; I wish there were an intervening weekend, to Freud and Peter Brooks.

    好的,必须在此停下了,再加一两句-,到周四我们将会,恐怕有点尴尬;,我希望会有一个周末,留给弗洛伊德和彼得,布鲁克斯。

    耶鲁公开课 - 文学理论导论课程节选

  • This is the achievement of mastery, as Freud puts it and as Brooks follows him, that we can acquire through the repetition of a traumatic event.

    这就是一种征服,就像弗洛伊德说的那样,而且布鲁克斯把这一思想延续下去,我们通过重复受到创伤的事件就可以理解了。

    耶鲁公开课 - 文学理论导论课程节选

  • It's that they seem also--and this is one of the reasons -- Brooks does have recourse to this particular text of Freud-- they also have the curious tendency to revisit unpleasurable things.

    而事实上--这一点,是布鲁克斯完全照搬弗洛伊德的-,小说还会抱有一种好奇的心态重温情节中不愉快的部分。

    耶鲁公开课 - 文学理论导论课程节选

  • Much of this should be reserved for next time when I talk about Cleanth Brooks and return to the whole subject of the New Criticism - and the way in which it's viewed historically-- so much of it can be reserved for next time.

    这些我们都留到以后再说吧,我得先讲讲克林斯·布鲁克斯这个人,然后还要回到新批评派,在历史上如何被看待这个话题上-,哎,要说的还真多。

    耶鲁公开课 - 文学理论导论课程节选

  • So it was a theme of the period and Freud's Beyond the Pleasure Principle contributes to this theme. Brooks himself likes to -- refer to the text of Beyond the Pleasure Principle as itself a master plot-- in other words as having a certain fictive character.

    所以不难发现,这就是弗洛伊德时期的一大主题,而那本《超越快乐原则》也就响应了这个主题,布鲁克斯,本人很喜欢引用《超越快乐原则》中的片段-,换句话说,就好像有一个虚构的角色。

    耶鲁公开课 - 文学理论导论课程节选

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