Nobody's really ever known what literature is."
谁知道什么是文学“
His terms are very much informed by a modernist sensibility of what literature is all about-- and I'm going to say more about what that is when I lecture on Lolita--but it's very much in contrast with that Ulysses ad. " Don't identify. It's not about you.
他的方式都是通过对文学的,现代主义式鉴赏来表达的,我在讲《洛丽塔》时会再详细说明,这和《尤利西斯》的广告有很大不同“,“无须认同,那与你无关,那是关于其他事情的”
That is to say, maybe the most central and, for me, possibly the most fascinating question theory asks is well, what is literature?
对我而言,理论提出的最核心,也许是最有趣的一个问题是,文学是什么?
Introduction to New Testament History and Literature: Lecture 2 Professor Dale Martin: What is scripture,and what is canon?
新约历史与文学导论,第二课2,戴尔马丁教授:,何为圣典,何为正典?
So what I think we get from these two little readings today is a sense of where literature finds itself at a kind of crossroads.
所以我们今天要从这两篇短文里认识到,文学在十字路口所处的位置。
This is part of what I find so compelling about fiction and literature in general in this period.
这是我所找到的这个时期,小说和文学通常引人注目,的原因之一。
What is the use of any aspect of literature if, as good scientists, we can't analyze it or can't somehow or another account for it?
文学又有什么意义呢?,如果作为科学家的我们,既不能分析也不能解释它?
If you think about Alexander Pope, for example, or even Samuel Johnson, as they reflect on literature and why it's important and what the nature of literature is, they aren't concerned about interpretation.
比如,亚历山大,蒲柏,或塞缪尔,约翰逊,他们思考文学,及其重要性时,并不关心文学的解读问题。
Very frequently, as is the case in Gadamer, this meaning is called "the subject matter": that is to say, what--in thinking about literature in terms of form and content, let's say--we'd call "content."
高达美,又把这一含义称为主题:,当我们研究文学的,形式和内容方面时,主题即内容“
Much of what we'll be reading takes up the question "What is literature?"
我们将阅读的文章很大程度上是关于“文学是什么?“
You get the idea that everything arises from the extraordinary mental acuity or spiritual insight of an author and that what needs to be understood about literature is the genius of its production.
你发现一切,都源自这些作者的敏锐头脑和深刻见解,关于文学,你需要理解的,是这些天才的作品。
We can say there's a great deal to learn about what people think literature is and we can develop very interesting kinds of thinking about the variety of ways in which these ideas are expressed.
可以说,关于人们对文学的定义,我们还有很多需要学习,我们也能从它们的各种不同的表达方法中,产生有趣的想法。
All of this has to be yoked together in the imagery of a good poem, particularly of a metaphysical poem, and this model of complexity is what matters both for modern literature and for literary criticism.
一首好诗,的应该融合这些意象,尤其一首玄学诗,同时,这种复杂性,在现代文学,和文学批评中都十分重要。
He and a number of other writers like, for example, the Italian philosopher Giorgio Agamben, are the figures whom we identify with what's called "the ethical turn" in thinking about texts, literature and other matters that is very much of the current moment.
他和其他的一些作家,比如说,意大利哲学家吉奥乔阿冈本,在文本,文学“,等方面的思考,被称为,“伦理转向“
So, what Salinger, I think, shows us is that affectation, without something like love, is just affectation, and that's what Lane represents. That's the affectation of literature without any human connection.
所以,Salinger向我们展示的是,这种娇柔做作,不像是喜爱只是娇柔造作,那也是莱恩代表的,那个文学的矫揉造作,并没有任何的与人的联系。
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