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The difficulty with reading Machiavelli today is that we all think we already know what he knows and that is false.
今日阅读马奇亚维利的困难点,在于我们都认为我们早已知道,他所知道的东西，但那并不正确。
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We can think of it -- this is an anachronistic term -but increasingly leftist, and he's becoming one of those figures that we can now identify with this label of "Puritan."
我们可以想象-这里有一个时代有些错误的术语,但是他的确是越来越左派，并正在成为我们目前,贴上“清教徒“标签的标志人物之一“
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Because we're as skeptical about skepticism as we are about anything else we're likely to raise our eyebrows and say, "Hmm. Doesn't this guy Foucault think he's an author?
因为我们对怀疑论的怀疑,肯定和我们扬起眉毛质疑其他事物是一样的，我们会说：“嗯，这个叫福柯的人自称是作家吗？
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Well, he's a good friend of mine, but I think he may be overstating it a little bit; we have some disagreements.
当然他是我一个很好的朋友,但我觉得他在这一点上有点言过其实,我们在这点上意见不合
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We can often better understand the dialogues by seeing Socrates as putting forward certain positions that he does not think are altogether adequate.
通过了解那些由苏格拉底提出,但他自己也觉得不充分的观点,我们可以更好地理解这些对话作品
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So you get a clue as to what we're supposed to think about him, and he makes a speech which denounces all of the basileus, Agamemnon ahead of any of them.
因此可以想见我们该会怎样看待他,他发表了一番言论,当众谴责了这些首领,尤其是阿伽门农
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I think we're meant to understand that he is so focused on the question of redemption that he fails to see anything else; he fails to see anyone else in his preoccupation with that problem.
我想我们得知道,他正被救赎的问题所困扰,在他被次纠缠时,他看不到任何事;,也看不到任何人。
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As we come back in to this, I think we've got a situation where the piano keeps playing the four-note motive, the part like he was building it up for tension.
回到这里,我想情况是这样的,钢琴一直弹奏着四音节的动机,这个部分像是钢琴在制造紧张气氛
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Now, Milton understands the problems besetting ; what we could think of as the poem's confused temporality; he understands this a lot better than we do.
现在，弥尔顿明白了我们,认为诗歌暂时性混乱问题的原因所在;,他比我们要明白的多。
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In any case, in this footnote Gadamer says something-- I think it's very rare that we can actually just sort of outright disagree with Gadamer, but he says something in this footnote that I believe we can actually disagree with.
无论如何，在此脚注中葛达玛提到一些东西-,我想我们不可能,彻底赞同葛达玛的观点，但在他的脚注中提到了一些,我很赞同的观点。
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.. He said that we should think of-- When we think about distributional justice we can think of it as a risk management problem.
他说我们应该考虑这种做法-,在思考分配的公平问题时,可以把它看作一个风险管理的问题。
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I think we're--he's had a spectacular return, but he's getting into a challenging year.
但他过去确实获得了惊人的收益,但今年年景不好
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But Hobbes is best when he is providing us with, in many ways, the moral and psychological language in which we think about government and the state.
但当我们在构建国家和政府的时候，霍布斯却给了我们最好的答案,即道德和心理上的需求。
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This is the effect that we get, I think, from reading Milton - is this notion that he seems to have had one of the largest memories imaginable and that he's remembered just about everything he's ever read.
我认为，我们从阅读弥尔顿而得到的,是这样一种说法，即他似乎,拥有我们可以想象的最大容量的记忆,他记下了所有他读过的东西。
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He seems, in this way, to anticipate what we might think of as the modern welfare state that public assistance be provided, and the poor, not simply depend on the private goodwill of the others.
如此看来,霍布斯已经预见到了,我们现代社会国家福利制度的出现，穷人不只依靠个人的善意施舍度日,更多的是求助于国家提供的福利保障。
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The hoplite himself is marked by, first of all, the shield and second of all, as we continue to think about his defensive capacities, he has a certain amount of armor to protect his body.
重装步兵的标志,首先就是盾牌,其次,和我们将要说到的防御力有关,就是士兵的身体有一定程度的护甲保护
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He said that we shouldn't think that the-- the simplest story of the term structure of interest rates, which he expounded there, is that forward rates equal expected future interest rates.
他提出,我们不应该认为,他在书中写道,对于利率期限结构,最简略的概括,是远期利率等于未来利率的期望值
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He didn't even begin to fulfill what we can think of as his epic promise until he was nearly fifty years old, until he had actually lost the use of his eyes, until he could no longer read, and until he could no longer use a pen to write.
但真正开始实行他要写史诗的愿望的时候,弥尔顿已经将近50岁了，那是他已经几乎,丧失了视力，不能再读书，不能执笔写作。
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In the invocation to Book Nine of Paradise Lost, Milton describes and it's wonderful to see this representation of this process that, I think, we've been wondering about he describes the process by which the heavenly muse inspires, and he says inspires nightly, the composition of his epic.
在《失乐园》第九卷中，弥尔顿描绘了,看到弥尔顿对这一过程的描述很是奇妙，我们都对这一过程很好奇,弥尔顿描绘了天神缪斯启示他，他说是在晚上启示的，启示他写作史诗的过程。
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Right? The state of nature is not seen by him as an actual historical condition in some ways, although he occasionally will refer to what we might think of as anthropological evidence to support his views on the state of nature.
他并不是把自然状态理解为,某种方式的实际的历史性的状态，即使他偶然性地,用人类学的证据,去支持他自然状态的观点。
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But this seems to be a very far cry, ? does it not, from the kind of justice he talks about in the soul that consists in what we might think of as sort of rational autonomy or self-control where reason controls the passions and the appetites.
但这似乎非常地遥不可及，不是吗，若以他所谈灵魂的正义种类看来,那包含了，在我们可能会称之为,理性自治里,或自控,当中理性,控制激情与渴求。
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Now this is where the omniscient narrator comes in quite forcefully, and gives us something to work on as we analyze Haze and we think about who he is as a character and where he finds himself.
万能的叙述者就这样,富有说服力的出现了，同时在我们分析Haze的时候,给我们带来了问题,让我们去想这个角色到底是谁,他在哪里发现自己。
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